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Offred
Performances Begin September 14
BY POUL RUDERS AND PAUL BENTLEY
BASED ON THE NOVEL BY MARGARET ATWOOD
Composer
Poul Ruders
Dates
Sep 14–Oct 1, 2024
Libretto
Paul Bentley
Price
Starting at $28
Run Time
2 hours 50 minutes with one intermission
Language
English
In a dystopian future, women are forced into childbearing servitude by an extremist theocratic regime. Escape is nearly impossible—but Offred, a handmaid, is determined to find a way back to her child, no matter the cost.
Based on the landmark novel by Margaret Atwood, this intense operatic drama gives voice to a terrifying, fictional world.
Poul Ruders’ evocative score creates one of the most impactful operas of the late twentieth century, seen for the first time on the West Coast in a powerful new co-production with The Royal Danish Theatre.
SAT, SEP 14, 2024
7:30 PM
TUE, SEP 17, 2024
7:30 PM
FRI, SEP 20, 2024
7:30 PM
SUN, SEP 22, 2024
2:00 PM
THU, SEP 26, 2024
7:30 PM
SUN, SEP 29, 2024
2:00 PM
TUE, OCT 1, 2024
7:30 PM
A Handmaid pieces together the fragments of her story and tells it to us.
Her life in America changed overnight in 2024 when, triggered partly by a low birth-rate caused by an environmental crisis, fundamentalists established a religious dictatorship known as the Republic of Gilead. Women were denied the right to work, possess property, or read and write. Furthermore, all fertile women of child-bearing age who were in breach of new marriage laws were forcibly separated from their families and sent to indoctrination centres, run by ‘Aunts’. There the women became Handmaids, to be posted to privileged childless households and ritually impregnated by the husband in the presence of his wife. If a Handmaid had not produced a child after three postings, she was sent to the colonies to clear up radiation spills.
* San Francisco Opera Debut
Co-Production of San Francisco Opera and The Royal Danish Theatre
Handmaid's Tale
This production is made possible, in part, by Phyllis C. Wattis Endowment Funds;
Marcia Barinaga and Corey Goodman; Bob Ellis; Louise Gund;
John A. and Cynthia Fry Gunn; and Jan Shrem and Maria Manetti Shrem
This project is supported in part by the National Endowment for the Arts.