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BY WOLFGANG AMADEUS MOZART
Part Two of the Mozart-Da Ponte TrilogyNovember 21–December 3, 2021
To Have and to Hold—Till Bets Do Them PartWar looms in Europe. But tucked away in an opulent 1930s country club, two soldiers gamble on the most precious prize of all—love.Following The Marriage of Figaro comes the second chapter in director Michael Cavanagh’s trilogy that weaves together the works of Wolfgang Amadeus Mozart and librettist Lorenzo Da Ponte.
Henrik Nánási conducts an all-star ensemble—featuring Nicole Cabell, Irene Roberts, Benjamin Bliss, John Brancy, Ferruccio Furlanetto, and Nicole Heaston.
Digital Program BookMeet the Cast / Listen to the Pre-Opera Talk
Libretto By Lorenzo Da Ponte | Sung in Italian with English supertitles
Running time is approximately 3 hours, 26 minutes, including one intermission
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Take the seductions and mixed-up romances of Shakespeare comedies like A Midsummer Night’s Dream or Twelfth Night, and stir in some zany social satire, Figaro-style.
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Speakeasy Nights Following the performances on November 27 and December 3 all patrons are invited to the Dress Circle Level for prohibition-era drinks for purchase, music and mingling. See you there!
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...exquisite company debut of tenor Ben Bliss as Ferrando...Bliss’s sweet tenor — fluid, bright, full of subtly shifting tone colors — seemed to have an element of heartbreak built in from the beginning. His Act 1 aria, “Un’ aura amorosa,” brought a breathtaking depth of emotion and expressivity to the performance.
As Guglielmo, baritone John Brancy...shone exuberantly in his solo arias.
The two women were deftly played by soprano Nicole Cabell as the vigorous, high-flying Fiordiligi, and mezzo-soprano Irene Roberts as her earthier, more knowing sister Dorabella.
Don Alfonso...was embodied in all his suavity and assurance by bass Ferruccio Furlanetto...
...as the maid Despina, soprano Nicole Heaston gave a brilliant performance marked by hilarious resourcefulness and psychological nuance.
Best friends Guglielmo and Ferrando are so convinced of their fiancées’ devotion that they’re willing to gamble on it, disguising themselves as strangers to test the women’s fidelity.
READ COMPLETE SYNOPSIS
November 21, 23, 27; December 1, 3
* San Francisco Opera Debut
A new production of San Francisco Opera.
Previous performances of Così fan tutte can be found in our Archive.
The health and safety of our patrons, employees, and artists is our number one priority. Here are some of the ways we’re keeping everyone safe.
Breathe easy knowing that all ventilation systems in the War Memorial Opera House meet the Centers for Disease Control (CDC) guidelines.
If for any reason you have to miss a performance due to COVID, we will work with you to exchange your tickets into another performance or arrange for a refund.
All of San Francisco Opera’s health and safety protocols have been developed with a group of University California, San Francisco (UCSF) doctors.
Read all of our Visitor Guidelines here.
This production is made possible, in part, by Carol Franc Buck Foundation; John A. and Cynthia Fry Gunn; Phyllis C. Wattis Fund for New Productions; Koret Foundation; Bernard and Barbro Osher; Jan Shrem and Maria Manetti Shrem; Thomas Tilton Production Fund; and Joan and David Traitel.
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Photos By: Erhard Rom / Constance Hoffman.