Opera Blog

Talking Pride with Mezzo-Soprano Jamie Barton

The cancellations decimated her calendar. Suddenly there were no concerts. No operas. No in-person engagements at all through the end of August. The coronavirus pandemic, and the subsequent need for social isolation, had claimed them all.

Profile: Gaetano Maria Donizetti

Born on November 29, 1797 in Bergamo and baptized Domenico Gaetano Maria Donizetti, the future composer was the fifth of six siblings. In 1806, Donizetti was admitted to the music school in Bergamo. There, he was guided by Giovanni Simone Mayr, the distinguished Bavarian composer famous for his operas throughout Italy.

Director Leonard Foglia on Moby-Dick

Hear from Moby-Dick director Leonard Foglia as he shares how Moby-Dick came to be and provides insight into the creative process.

From Page to Stage: An Interview with Moby-Dick Librettist Gene Scheer

The challenge of turning Moby-Dick, one of the great classics of the English language, into an opera would have struck most librettists as Herculean. But for Gene Scheer, the effort was decidedly more Shakespearean.

Transformation in Song and Ink: How tattooing brought tenors Amitai and Pene Pati closer to home

The idea first crossed his mind when he was 7. It was hard not to notice the massive tattoos that his uncle and other family members wore, darkening the skin from their waist down to their knees.

The Soundtrack of Togetherness

My life is loud. Most years I spend several months in the San Francisco Opera pit and the rest of my time managing a family of four. When my boys are in school and I’m not rehearsing or practicing, I revel in the silence of an empty house.

Catch Up with 'Mephistopheles' Director Robert Carsen

As a child, Robert Carsen dreamed of being an actor — but soon he found himself drawn into a different world, one that lies beyond the curtains, hidden to average theater-goer. He had the instinct for directing. And as a result, opera theaters around the world now play host to his visions, from New York to Paris and beyond.

Soprano Sarah Cambidge talks knitting, Harry Potter, and turning villain in 'The Handmaid’s Tale'

Soprano Sarah Cambidge is excited. Like, super excited.

Power and passion: Tenor Russell Thomas dishes on Verdi’s ‘Ernani’ and the future of opera

It all started at age eight, with a young boy twiddling the radio dial, fatefully landing on a station that played opera. That moment of discovery, of bliss, of clarity and direction, led tenor Russell Thomas to pursue a career on some of the world’s greatest opera stages, his voice — by turns soft and earth-trembling — winning him legions of fans.

Inside the mind of ‘Steve Jobs’ star Sasha Cooke

She didn’t need to audition. She was simply asked. That’s how Grammy-winning mezzo-soprano Sasha Cooke landed the role of Laurene Powell Jobs in the world premiere of The (R)evolution of Steve Jobs, itself a Grammy winner for Best Opera Recording.

Where Opera Meets Illustration: An Interview with Shawna X

When announcing its 2020–21 Season, San Francisco Opera faced a dilemma: how to illustrate productions that were entirely new to the American stage.

That’s when we turned to visual artist Shawna X, whose illustrations brought splashes of color to the pages of The New Yorker and New York Magazine—not to mention her work for international brands like Adidas and Warby Parker.

Meet Mason Bates, the composer behind the turntable

There’s a degree of mystique surrounding the combination of unlike things — and composer Mason Bates’ fusion of classical music and electronica is no exception. It’s a recipe that’s won him acclaim and even a Grammy: His opera, The (R)evolution of Steve Jobs, nabbed the 2019 prize for best opera recording.

Meet San Francisco Opera’s original Gretel, Queena Mario

Of the five seasons Engelbert Humperdinck’s Hansel and Gretel has been performed on the San Francisco Opera stage, three featured a familiar face: that of popular American opera singer Queena Mario.

MEET ‘MANON LESCAUT’ DIRECTOR OLIVIER TAMBOSI

When director Olivier Tambosi’s production of Manon Lescaut first arrived in San Francisco in 2006, critics hailed it as “the best Puccini in years.” Now, 13 years later, the acclaimed production returns, with role debuts for two of opera’s most formidable stars: soprano Lianna Haroutounian and tenor Brian Jagde.

FIVE QUESTIONS WITH ROBERT BRUBAKER, THE WITCH IN ‘HANSEL AND GRETEL’

Fresh from his high-seas adventure this September in Billy Budd, tenor Robert Brubaker returns to the San Francisco Opera stage, starring this time as the cackling, Hitchcockian witch in Engelbert Humperdinck’s Hansel and Gretel.

JULIET VERSUS THE ARIA: SOPRANO AMINA EDRIS TACKLES THE INFAMOUS ‘POISON’ ARIA

Tuesday, October 1, marks not only the final performance of San Francisco Opera’s 2019 Romeo and Juliet but also an important role debut for a rising star: New Zealand soprano Amina Edris.

Jake Heggie debuts new work with Merola Opera Program

He’s a local talent renowned for bringing original work to San Francisco’s stages — and now he’s back with a brand-new work, tailor-made for the Merola Opera Program.

From Basement Performances to Broadway, Francesca Zambello Traces Her Journey

For Carmen director Francesca Zambello, the key is to start small. That’s how she built her own career. Though her work now graces the stages of the West End and Broadway, her directorial debut took place in the humblest of venues — her parents’ basement.

SPOTLIGHT ON ‘Rusalka’ star Rachel Willis-Sørensen

As a child, Rusalka star Rachel Willis-Sørensen loved the Disney film The Little Mermaid. She loved it so much that she would sing along with the heroine Ariel, whose voice enraptures the human prince she hopes to marry.

J’Nai Bridges Brings the Sizzle in Carmen Debut

J’Nai Bridges was at a crossroads. As a high-schooler, she juggled her passions as best as she could, but now university was beckoning, and she had a choice to make: Should she pursue her passion for basketball or her love of singing?

Hello, Karita.

Finnish soprano Karita Mattila will make her highly anticipated return to San Francisco Opera as Sieglinde in the Ring. Hailed by critics and audiences alike for her definitive style, Mattila is sure to deliver nuanced compassion layered in Sieglinde despite a life scarred with misfortune. Get to know the Finnish diva with three fascinating facts.

3 Things You May Not Know About Francesca Zambello

The intracies Ring Director Francesca Zambello weaves into her artistry stem from her varied artistic background and intriguing international upbringing. Here are three things you may not know about Director Francesca Zambello.

Looking Back: Working with David Gockley

Andrew Morgan has been with San Francisco Opera for over eight years and currently serves as Director of Individual and Leadership Giving. In today's blog post, he shares some of his fondest memories from David Gockley’s tenure with the Company.

Looking Back: My Favorite Operas of the Gockley Era

Kristen Jones has been with San Francisco Opera for nearly seven years. In today's blog post, she reflects on the productions of David Gockley's tenure that have stuck with her most. 

A Man with a Vision

San Francisco Opera dramaturg Kip Cranna reflects on the legacy and career of General Director David Gockley.

Adler Profile: Anthony Reed

Anthony Reed is a second-year Adler Fellow who appeared in The Magic Flute, Die Meistersinger, and The Fall of the House of Usher this past fall. Read on to learn what he compares his experience as an Adler Fellow to, his original pop music, and more.

Singing Together

Mezzo-soprano Daniela Mack and her husband, tenor Alek Shrader, are enjoying enviable careers on the international operatic stage. They met while they were both participating in the Merola Opera program in 2007 and were married in 2011 after successful Adler Fellowships.  Now, after the birth of their baby daughter Evangelina in January, they are choosing to put their young family at the center of their professional decisions.

5 Questions with Brandon Jovanovich

Tenor Brandon Jovanovich can currently be seen as knight Walther von Stolzing in Die Meistersinger von Nürnberg. He first made his San Francisco Opera debut in 2007 as Pinkerton in Madame Butterfly, and has been thrilling San Francisco Opera audiences ever since. Read on to learn about where he first got his love for singing, his favorite things to do in San Francisco, and more!

Adler Profile: Efraín Solís

Mexican-American baritone Efraín Solís is a second-year San Francisco Opera Adler Fellow who is currently appearing as Papageno in The Magic Flute. He made his Company debut in 2014 as Prince Yamadori (Madame Butterfly) and has appeared in our recent productions of A Masked Ball, Cinderella and Tosca. Read on to learn more about his backstage rituals, how we knew he wanted to be a performer and more.

Adler Profile: Nian Wang

Mezzo-soprano Nian Wang is a first-year San Francisco Opera Adler Fellow who made her Company debut as Ascanius in our summer 2015 production of Berlioz' The Trojans. Learn more about this brilliant young mezzo-soprano.

5 Questions With Andrea Silvestrelli

Italian bass Andrea Silvestrelli can be seen in three of our productions this fall: Luisa Miller, Die Meistersinger von Nürnberg, and The Barber of Seville. He has been performing at San Francisco Opera since 1998, and consequently knows the city well. Read on to learn about Andrea's love of motorcycles, his struggle to find shoes, and more!

5 Questions with Stephanie Blythe

Mezzo-soprano Stephanie Blythe is back in San Francisco this September starring as Mrs. Lovett in Sweeney Todd. She kindly gave us some insight into her Mrs. Lovett, her favorite things to do when she's not on stage, and what she will be doing once Sweeney Todd ends...

5 Questions with Elliot Madore

Canadian baritone Elliot Madore made his San Francisco Opera debut this month as Anthony in Sweeney Todd. We were curious to find out what his dream roles are, and what profession he would pursue if he weren't a singer.

5 Questions with Phillippe Sly

Bass-baritone Philippe Sly finished his Adler fellowship this past December and returned to San Francisco this summer to play the title role The Marriage of Figaro.

Adler Profile: Edward Nelson

First year Adler Fellow Edward Nelson made his professional debut at San Francisco Opera this past weekend as Lieutenant John Buckley in the world premiere of Two Women.

Adler Profile: Zanda Svede

Second year Adler Fellow Zanda Švēde has graced the War Memorial stage countless times since she joined us last year. Originally from Latvia, Zanda has undoubtedly flourished during her time in San Francisco, and we can't wait to see her shine this Summer and Fall in our productions of La Ciociara, Lucia di Lammermoor, and The Magic Flute.

Adler Profile: Julie Adams

Julie Adams may be a first year Adler Fellow, but she is no stranger to San Francisco. Julie first came to SF for her undergraduate degree at the San Francisco Conservatory of Music and never left, except to pursue further education at prestigious programs like Music Academy of the West and the International Vocal Arts Institute.

Adler Profile: Chong Wang

Chong Wang joins us as an Adler Fellow from Shijiazhuang, Hebei, China. Mr. Wang studied at the Conservatory of the People’s Liberation Party in China, and has performed numerous roles at Beijing’s National Centre for the Performing Arts...

5 Questions with Daniel Knapp

We're excited to welcome Daniel Knapp, our new Director of Production, to the San Francisco Opera family. We had the opportunity to sit down and ask him a few questions about his career in opera and his new home in San Francisco! Enjoy!

Earl & Alexis Return to SFO: Somthin' That the Angels Done Plan

It was cold in New York in February, 2008 when I flew into LaGuardia airport, but not too cold...