2019–20 Season: Capulet, Romeo and Juliet
Finnish-American baritone Timothy Mix made his San Francisco Opera debut as Sonora in La Fanciulla del West and has since returned as Le Bret in Cyrano de Bergerac, Le Dancaïre in Carmen, Elder Ott in Carlisle Floyd’s Susannah, and De Brétigny in Manon. His current season began in Washington, DC, with performances as Milcolm Negley in the world premiere of Peter Hilliard and Matt Boresi’s The Last American Hammer at Urban Arias and in the American premiere of Alexander Zhurbin’s song cycle Poet, Love, Marina with the Russian Chamber Art Society. Recent performances include Jack Hubbard in a new production of Doctor Atomic at Santa Fe Opera; Enrico in Lucia di Lammermoor, Belcore in L’Elisir d’Amore, and Escamillo in Carmen with Opera Colorado; and Marcello in La Bohème and Belcore with Opera Theatre of Saint Louis. Other career highlights include Ping in Turandot under the baton of Gustavo Dudamel with the Los Angeles Philharmonic; Renato in Un Ballo in Maschera and Ford in Falstaff with Washington National Opera, the title role of Eugene Onegin with Russian Chamber Art Society, and Edward Gaines in the New York premiere of Richard Danielpour and Toni Morrison’s Margaret Garner. Coming up, Mix makes role debuts as Albert in Werther with Bergen National Opera and Joseph De Rocher in Dead Man Walking with Opera Delaware.