Luisa Miller

Music Director Nicola Luisotti conducted forcefully, infusing the opera's pivotal episodes with vigor and clarity

Leah Crocetto unleashed torrents of powerful and beautifully tuned sound. She delivers climatic high notes with a combination of precision and dramatic urgency that can be thrilling to witness.

Michael Fabiano brought a high-voltage blend of tonal beauty and fearless athleticism to the role of Rodolfo. His performance was simply breathtaking.

Leah Crocetto boasts a large, agile voice and she sang with power and grace.

Michael Fabiano gave an impassioned, fully committed performance, delivering the music with big, rich tone and elegant phrasing.

Luisa Miller is a rousing revival!

Ekaterina Semenchuk made a vivid Company debut.... throaty but elegant singing, which sounded at once alluring and dangerous.

There was a potent Company debut from Ukrainian baritone Vitaliy Bilyy as Luisa's father, and Andrea Silvestrelli deployed his outlandishly loud bass to give Wurm the necessary sense of menace.

Daniel Sumegi was effective in his first important Italian role at this Opera House.

Jacqueline Piccolino sang a lovely and sympathetic Laura, making a large impression in a small role.