On Sunday, September 25, some 16,000 fans gathered at AT&T Park, home to World Series champions the San Francisco Giants, to watch and listen as an ice princess melted, bureaucrats blustered, and high notes were hit out of the park. Despite a gloomy weather forecast, those who took a chance were rewarded with a beautiful, mild San Francisco day, including sunshine and sailboats in the bay. For the Opera’s sixth annual ballpark simulcast, Puccini’s Turandot was transmitted live from the Opera House to the Ballpark across 2.5 miles of fiber optic cable. The relaxed venue lent itself to sharing the experience with others, as scores of tweets from the audience captured an afternoon at the ballpark with Puccini. [All photos from @SFOpera Twitter feed]
Posted: 09/26/2011 by San Francisco Opera


Through state-of-the-art technology, San Francisco Opera’s simulcast on September 25 will be transmitted in 1920x1080 high definition (HD) to AT&T Park's 103-feet wide Mitsubishi Electric Diamond Vision scoreboard—one of the highest quality outdoor scoreboards in the nation—live from the stage of the War Memorial Opera House. [Left: Members of our Media Team before a performance. Photo by Cory Weaver.]

 

Posted: 09/22/2011 by Francis Crossman (Senior Video Editor)


Returning to San Francisco Opera is especially poignant for me. Although I had already sung some roles professionally beginning in 1972, my big debut was here on the stage of the Memorial Opera House on Sept 13, 1974 as the Maestro di Ballo to Leontyne Price's first Manon Lescaut. Back then there were no apprentice programs, Adler Fellows, or Merola. I was fortunate in that I had worked with Otto Guth, Kurt Adler's right-hand man, at Curtis Institute in Philadelphia where I was completing a post graduate opera degree. Through his recommendation I was invited to sing in San Francisco, where Mr. Adler offered me a number of wonderful roles.

Posted: 09/13/2011 by Joseph Frank (Emperor Altoum, Turandot)


Besides reading and re-reading the book Heart of a Soldier by James B. Stewart, I took inspiration from a variety of other sources. Here are just some of the additional works that lent their weight as I wrote the libretto.

 

 

 

Posted: 09/12/2011 by Donna Di Novelli (Librettist, Heart of a Soldier)


Today, we presented our annual Opera in the Park concert as a memorial to the victims of the 9/11 terrorist attacks. The San Francisco Opera Orchestra and Chorus, along with Music Director Nicola Luisotti and four Adler Fellow soloists performed Mozart's Requiem Mass, interspersed with meditational texts read by members of the San Francisco Interfaith Council. Included below are the various readings and prayers which were included in the event.

Posted: 09/11/2011 by San Francisco Interfaith Council


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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