Our 2014-15 season opening weekend was a whirlwind of activity, from the opening night gala featuring Bellini’s Norma
, to the opening performance of Susannah
on Saturday, with the free Opera in the Park concert as a grand finale on Sunday. Here’s a visual wrap-up culled from the hundreds of social media posts from artists and audience members.
Posted: 09/08/2014 by
San Francisco Opera
It is not surprising that many people assume Herman Melville wrote his classic novel Moby-Dick
on Nantucket, a small island off the coast of Cape Cod in Massachusetts. It is, after all, the setting for much of the book, home port to the Pequod
and home to many of the story’s most central characters. But in reality, Melville never set foot on the island before Moby-Dick
was published in 1851. He wrote the book at a secluded farm in Pittsfield, Massachusetts, over 100 miles from the nearest large body of water.
An excerpt from the Berkshire Historical Society explains:
Posted: 10/30/2012 by
The Berkshire Historical Society
Last Thursday on August 16th, the San Francisco Opera's BRAVO! Club officially kicked off the 21th Annual Opening Gala under the glitz and glamor of the CODE Salon and The Factory Label. Over 150 BRAVO! Gala ticket holders and their guests were invited to celebrate this year's Gala in style.
Posted: 08/20/2012 by
Amy Higgins (BRAVO Board Member)
San Francisco Opera's BRAVO! CLUB is a group of young adults dedicated to building a new audience for San Francisco Opera with other arts lovers aged 21–40. Founded in 1991, the group has an annual membership of over 500 Bay Area professionals and hosts a variety of educational and performance-related events in support of San Francisco Opera. BRAVO! CLUB board president, Barclay Rogers, shares his story on why he joined the group.
Posted: 05/16/2012 by
Barclay Rogers (BRAVO! CLUB Board President)
As I teach libretto writing at New York University’s Tisch School of the Arts, I’ve been asked what lessons I would draw for my own students from "Heart of a Soldier".
Since my approach to writing has always been structural, I chose three moments in the first act as formal examples of how to adapt and make dramatic a work of journalism, as well as the very structure of the act and the reaction to the opera as a whole.
Posted: 09/30/2011 by
Donna Di Novelli (Librettist, Heart of a Soldier)