San Francisco Opera will present Verdi’s Attila this June starring superstar bass Ferruccio Furlanetto. Co-produced with Milan’s Teatro alla Scala and directed by Gabriele Lavia, the new production is unusual and distinctive because it is set in three different periods of Italy’s history: ancient Rome circa 450 AD; the Viennese occupation of the early 1800’s; and the present day. Our Music Director Nicola Luisotti conducted the production in Milan and will conduct it here in June. He has this to say about the production:

Posted: 05/07/2012 by Nicola Luisotti (Music Director)


As we prepare for the opening of Nixon in China on June 8, we started thinking about the year the opera takes place: 1972. It was a year of many firsts for women, a lot of violence in Northern Ireland, the birth of the video game, the Watergate scandal and when President Nixon visited China. Read on for a timeline of fun facts to impress your friends with from that fateful year.




Posted: 04/09/2012 by Sheeda Jamsheed (Marketing Associate)


As I teach libretto writing at New York University’s Tisch School of the Arts, I’ve been asked what lessons I would draw for my own students from "Heart of a Soldier".
 
Since my approach to writing has always been structural, I chose three moments in the first act as formal examples of how to adapt and make dramatic a work of journalism, as well as the very structure of the act and the reaction to the opera as a whole.
Posted: 09/30/2011 by Donna Di Novelli (Librettist, Heart of a Soldier)


Besides reading and re-reading the book Heart of a Soldier by James B. Stewart, I took inspiration from a variety of other sources. Here are just some of the additional works that lent their weight as I wrote the libretto.

 

 

 

Posted: 09/12/2011 by Donna Di Novelli (Librettist, Heart of a Soldier)


Today, we presented our annual Opera in the Park concert as a memorial to the victims of the 9/11 terrorist attacks. The San Francisco Opera Orchestra and Chorus, along with Music Director Nicola Luisotti and four Adler Fellow soloists performed Mozart's Requiem Mass, interspersed with meditational texts read by members of the San Francisco Interfaith Council. Included below are the various readings and prayers which were included in the event.

Posted: 09/11/2011 by San Francisco Interfaith Council


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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