In Ms. Karen Chu's 5th grade class at West Portal Elementary, we struck story-writing gold. With this group, we had just thirteen weeks to write, compose, design, rehearse and perform a mini-opera. Needless to say, we moved through it all at lightning speed. Immediately after choosing a location (Atlantis) and listing possible characters (King Neptune, the Kraken, mermaid archers, and an evil sorcerer to name a few), the class broke up into four groups, with one story-sifting worksheet assigned to each.
Posted: 04/26/2012 by
Erin Bregman (San Francisco Opera Teaching Artist)
San Francisco Opera's Media Department works tirelessly to capture and produce the best and most stirring moments on stage. Below is a blog post from Media Coordinator and Assistant Video Director Jessica Shown-Morgan on her recent trip to see the co-production of Moby Dick at San Diego Opera. Moby Dick makes its Bay Area premiere at San Francisco Opera on October 10, 2012.
Posted: 03/27/2012 by
Jessica Shown-Morgan (Assistant Video Director)
Jun Kaneko, renowned Japanese-American visual artist, is the Production Designer for our new production of
The Magic Flute, opening June 13, 2012. His ceramic, bronze, and glass sculptural work and two-dimensional artwork appears in numerous international solo and group exhibitions annually and is included in approximately fifty museum collections. He has realized almost thirty public art commissions in the United States and Japan. His previous opera productions were
Madama Butterfly for Opera Omaha (2007) and
Fidelio for the Opera Company of Philadelphia (2008).
Posted: 03/06/2012 by
Jun Kaneko (Production Designer, The Magic Flute)
While Hollywood geared up for the Oscars this past weekend, we in the Education Department prepared for our own celebration of film: free screenings of Puccini’s The Girl of the Golden West for Families
at the Herbst Theatre! The movie was a shortened, one-hour version of the production that premiered at War Memorial Opera House in June 2010.
Posted: 02/28/2012 by
Dolores DeStefano (Education Program Associate)
It always surprises me how many people ask me if I work for the San Francisco Ballet during the off-season or assume that I am unemployed from the end of the last performance of the fall season until we load in for the summer season in May. I’m here to assure you that I don’t have any trouble keeping busy from December through April.
I always spend the first few weeks of December doing what I call, “picking up the pieces.” This means that I finally answer all those emails that I’ve been putting off because they required more research, and if I’m lucky can get the virtual in-box pared down from 500+ messages to less than 50 that still require some sort of action.
Posted: 02/09/2012 by
April Busch (Production Operations Director)