Brian Jagde is a tenor and third year Adler Fellow at San Francisco Opera.  He will make his mainstage leading role debut as Cavaradossi in Puccini's Tosca on Friday, November 16, 2012 - you can catch him for 5 more performances on November 20, 24, 27, 29 and December 2.  Brian made his SFO Debut in 2010 as Joe in Puccini's La Fanciulla del West and has been seen since in roles in Aida (Messenger), The Makropulos Case (Janek), and Lucrezia Borgia (Vitellozzo) and he has covered the leading roles of Pinkerton in Madama Butterfly, Christian in Cyrano de Bergerac, and Don José in Carmen.  He was seen as Don José in the 2011 presentation of Carmen for Families - an abridged 2-hour version in English presented on the War Memorial Opera House stage with other members of the Adler Fellowship Program.
Posted: 11/16/2012 by San Francisco Opera


5. You can channel your inner propmaker, costume designer, or makeup master.
 
Have you ever wanted to create an arrest order and issue it like Scarpia does? Or to apply tattoos (temporary, of course!) like Queequeg wore in Moby-Dick? Maybe you and your family love coloring projects and would love to create costumes for your very own opera paper dolls. We’ll be hosting these projects and more in the main lobby so that opera lovers and the opera curious of all ages can take part!
Posted: 11/06/2012 by San Francisco Opera


On Thursday, September 27th, students from the School of Fashion at the Academy of Art University in San Francisco had a unique and inspiring opportunity to go see the final dress rehearsal for The Capulets and the Montagues at the War Memorial Opera House. The tragic Shakespeare play has such iconic characters but this production was something completely new and like nothing I had ever seen, including the stunning costumes by world-renowned fashion designer Christian Lacroix.
Posted: 10/12/2012 by Lita Teplitz (AAU Fashion Design Student)


Our production of Rigoletto was created back in 1997 by Michael Yeargan with costumes designed by Constance Hoffman. The costumes along with the sets are rich with color and drama, yet they also allude to the dark and sinister underbelly of the court.





Posted: 09/24/2012 by San Francisco Opera


Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden.  No, not that Secret Garden but a NEW world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project aka Pandora) Nolan Gasser and librettist Carey Harrison. 
Posted: 09/16/2012 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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