Brian Jagde is a tenor and third year Adler Fellow at San Francisco Opera. He will make his mainstage leading role debut as Cavaradossi in Puccini's Tosca on Friday, November 16, 2012 - you can catch him for 5 more performances on November 20, 24, 27, 29 and December 2. Brian made his SFO Debut in 2010 as Joe in Puccini's
La Fanciulla del West and has been seen since in roles in
The Makropulos Case (Janek), and
Lucrezia Borgia (Vitellozzo) and he has covered the leading roles of Pinkerton in
Madama Butterfly, Christian in
Cyrano de Bergerac, and Don José in
Carmen. He was seen as Don José in the 2011 presentation of
Carmen for Families - an abridged 2-hour version in English presented on the War Memorial Opera House stage with other members of the Adler Fellowship Program.
Posted: 11/16/2012 by
San Francisco Opera
Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden
. No, not that Secret Garden
but a NEW
world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project
) Nolan Gasser and librettist Carey Harrison.
Posted: 09/16/2012 by
San Francisco Opera
Opera novices and aficionados alike had a ball at our Overture: Opera Workshops for Adults this past spring! In an intimate setting, experts like Director of Music Administration Kip Cranna and Tosca
Director Jose Maria Condemi led the participants in interactive exercises that made the process of creating opera come to life.
Posted: 08/13/2012 by
Dolores DeStefano (Assistant Director of Education)
Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera. In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by
Robert Mollicone (1st Year Adler Coaching Fellow)
Making his San Francisco Opera debut with The Magic Flute
this summer, Scottish-born Rory Macdonald has rapidly established himself as one of Britain’s most talented, dynamic young conductors. Below Rory shares the challenges and thrills of conducting one of Mozart's most beloved operas.
Posted: 07/02/2012 by