A life on the road can get lonely from time to time. Brian Jagde, our Pinkerton in this summer's Madame Butterfly, is no exception to the rule. Thankfully he has his trusty companian Cav with him where ever he goes! Brian most recently appeared on the San Francisco Opera stage in our 2012 production of Tosca. Where has Brian and Cav been since? Let's find out in our Operatic Doggie Diary!
Posted: 06/18/2014 by
Brian Jagde (Pinkerton, Madame Butterfly)
On Saturday, November 9, we hosted our 2nd free Community Open House, featuring fun events and activities for all ages. It's such a joy to open the doors of the beautiful War Memorial Opera House to droves of people who may have never even been inside before. The 2013 Open House included many diverse presentations and opportunities to connect with opera in new ways, including onstage musical demonstrations; sing-alongs with the San Francisco Opera Chorus and San Francisco Opera Adler Fellows; stage combat workshops; costume, wig and makeup demonstrations; a costume photo booth; an opportunity to meet San Francisco Opera General Director David Gockley; and family activities throughout the opera house lobbies including a scavenger hunt, prop-making, costume crafts, and more, with workshops designed for both adults and families.
Posted: 11/18/2013 by
San Francisco Opera
If you were to browse through a high school student's iTunes playlist, you'd be more likely to find pop hits by artists such as One Direction or Rihanna than you would arias from classic operas. But what happens when you tear students away from YouTube and Snapchat for a day to see Puccini's
Tosca at the War Memorial Opera House? Find out from high school student, Kelsey Page as she describes her experience attending the Madeline H. Russell High School Day at the Opera last November. Then, check out which San Francisco Opera final dress rehearsals are open to students during this upcoming fall season!
Posted: 08/26/2013 by
Kelsey Page (Atherton's Sacred Heart Prep student)
The first time I sang in a production of Hoffmann was 2007 in Vienna where I played the four servants. It was a reductive, bizarre, but very enchanting production. I fell in love with the show at that point because it felt like a dream from which I did not want to awake; especially the last act with its gently rocking barcarolle. It’s not an easy show to put on because it’s a big cast and finding someone who can sing the title role can be a struggle, but it’s one of my favourites and I would hope to hear it for the rest of my life.
Posted: 07/02/2013 by
Thomas Glenn, tenor
Over the next few months, we'll be profiling each of our current Adler Fellows
here at "Backstage at San Francisco Opera." If you have some questions you'd like to ask them, send us a message via email at firstname.lastname@example.org
or via Facebook or Twitter. Our first Adler Profile is mezzo-soprano Laura Krumm
who you can catch this month starring in the world-premiere of Nolan Gasser's The Secret Garden
as Martha Sowerby.
Posted: 02/27/2013 by
San Francisco Opera