The wise, knowing half smile on the enigmatic woman's face and the silvery sheen of her cloak have made many viewers assume that this is the work of a very modern painter. Surprise! This image of Mary Magdalene ̶ one which embodies such an air of mystery ̶ was painted in the year 1540 by Giovanni Solvoldo.
Posted: 05/01/2013 by
On a research trip to Amsterdam, Mary Magdalene scholar Kayleen Asbo, visited the Rijksmuseum, a national museum dedicated to the arts and history of the Netherlands. While there she stopped for a look at Jan Van Scorel's 16th century depiction of Mary Magdalene and sent us this summary.
Posted: 04/23/2013 by
Over the next few months, we'll be profiling each of our current Adler Fellows
here at "Backstage at San Francisco Opera." If you have some questions you'd like to ask them, send us a message via email at email@example.com
or via Facebook or Twitter. Our first Adler Profile is mezzo-soprano Laura Krumm
who you can catch this month starring in the world-premiere of Nolan Gasser's The Secret Garden
as Martha Sowerby.
Posted: 02/27/2013 by
San Francisco Opera
We're counting down the days until we open our world-premiere production of Nolan Gasser's The Secret Garden and rehearsals here at San Francisco Opera are about to head over the Bay Bridge to Zellerbach Hall at UC Berkeley. We're thrilled to be co-presenting this work with Cal Performances and we've lined up an exciting young cast who will be bringing this beloved childhood tale to life. Find out a little bit more about the Secret Garden cast in today's blog post.
Posted: 02/15/2013 by
San Francisco Opera
Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden
, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene
in June and Dolores Claiborne
in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges.
Posted: 01/22/2013 by
Kip Cranna, Director of Music Administration