Brian Jagde is a tenor and third year Adler Fellow at San Francisco Opera.  He will make his mainstage leading role debut as Cavaradossi in Puccini's Tosca on Friday, November 16, 2012 - you can catch him for 5 more performances on November 20, 24, 27, 29 and December 2.  Brian made his SFO Debut in 2010 as Joe in Puccini's La Fanciulla del West and has been seen since in roles in Aida (Messenger), The Makropulos Case (Janek), and Lucrezia Borgia (Vitellozzo) and he has covered the leading roles of Pinkerton in Madama Butterfly, Christian in Cyrano de Bergerac, and Don José in Carmen.  He was seen as Don José in the 2011 presentation of Carmen for Families - an abridged 2-hour version in English presented on the War Memorial Opera House stage with other members of the Adler Fellowship Program.
Posted: 11/16/2012 by San Francisco Opera


Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden.  No, not that Secret Garden but a NEW world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project aka Pandora) Nolan Gasser and librettist Carey Harrison. 
Posted: 09/16/2012 by San Francisco Opera


Opera novices and aficionados alike had a ball at our Overture: Opera Workshops for Adults this past spring! In an intimate setting, experts like Director of Music Administration Kip Cranna and Tosca Director Jose Maria Condemi led the participants in interactive exercises that made the process of creating opera come to life.
Posted: 08/13/2012 by Dolores DeStefano (Assistant Director of Education)


An intriguing invitation was posted in this Tweet by SF Opera on May 29, 2012:“Are you an #opera curious power Tweeter? Apply for a Tweet Seat at dress rehearsal of Nixon in China, June 5, 2pm pls RT” When I read the tweet, I had already purchased my ticket to see Nixon in China on opening night. This unexpected invitation inspired me to see if I could use my iPad to capture my experience of Nixon in China and share my impressions with the SF Opera community and the Twitterverse.

Posted: 06/25/2012 by David Newman (artist and Nixon in China Tweeter)


“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.

For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.

 

Posted: 06/21/2012 by Tess Uriza Holthe (Super, Nixon in China)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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