In Ms. Karen Chu's 5th grade class at West Portal Elementary, we struck story-writing gold. With this group, we had just thirteen weeks to write, compose, design, rehearse and perform a mini-opera. Needless to say, we moved through it all at lightning speed. Immediately after choosing a location (Atlantis) and listing possible characters (King Neptune, the Kraken, mermaid archers, and an evil sorcerer to name a few), the class broke up into four groups, with one story-sifting worksheet assigned to each.
Posted: 04/26/2012 by Erin Bregman (San Francisco Opera Teaching Artist)


Since announcing the world première of Mark Adamo’s The Gospel of Mary Magdalene for the Spring/Summer of 2013, many subscribers have asked me why we chose to do an opera on this subject. My response is that this is one of the world’s great stories in a new and exciting version, written and performed by some of the most extraordinary artists in opera today. Some, though, have expressed bewilderment. “Mary Magdalene, sure: but a Gospel of Mary? My Bible includes only the Gospels of Matthew, Mark, Luke, and John! How can this be an opera?”

Posted: 03/28/2012 by David Gockley (General Director)


I have received several inquiries into why we are performing our upcoming Magic Flute in English. It’s a good question that deserves an explanation.
 
In Mozart’s time (late 1700’s), Italian was the language of opera. The genre of Italian “opera seria” crossed the Alps and settled in Austria, Germany and England in particular. Audiences in Austria attended “court operas,” supported by the nobility and presented in theaters that were near–or a part of–royal or lordly palaces. One can remember the image of Mozart’s operas being performed in Vienna’s Burgtheater in the film Amadeus. Lots of powdered faces, white wigs and bitchy courtiers. After Cosi fan tutte, Mozart fell out of favor with the Austrian court and lost his salaried position. He was also losing his health.
 
Posted: 03/12/2012 by David Gockley (General Director)


While Hollywood geared up for the Oscars this past weekend, we in the Education Department prepared for our own celebration of film: free screenings of Puccini’s The Girl of the Golden West for Families at the Herbst Theatre! The movie was a shortened, one-hour version of the production that premiered at War Memorial Opera House in June 2010.



Posted: 02/28/2012 by Dolores DeStefano (Education Program Associate)


For thirty-five years I’ve maintained that the classic works of the American Musical Theater are fit to be in the repertoire of opera houses. In many ways they ARE our opera. Many were composed for “legit,” unamplified voices, with sizable choruses, orchestras and dancers.





Posted: 02/20/2012 by David Gockley (General Director)


Displaying results 16-20 (of 21)
 |<  <  1 - 2 - 3 - 4 - 5  >  >| 

Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

Syndication

Blog postsRSS