Moby-Dick

Music by Jake Heggie and Libretto by Gene Scheer

COMPANY PREMIERE

"Achingly beautiful, magnificently sung and gorgeously staged...the audience responded with an eight-minute standing ovation" (Associated Press). Composer Jake Heggie, in his "finest creation since Dead Man Walking," and librettist Gene Scheer adapt Herman Melville's meditation on man and the sea into "a vibrant, compelling piece of musical theater" (San Francisco Chronicle). A cast of brilliant singing actors is led by Ben Heppner as the fierce, obsessive whaling-boat captain whose descent into madness puts his crew in mortal danger. "It would be difficult to imagine a performer better suited to convey Ahab's complex mix of demoniac compulsion and fleeting heroism," raved The New York Times, which also praised Principal Guest Conductor Patrick Summers' "lyrical flow and suitably stormy climaxes."

Jay Hunter Morris, who recently made headlines by taking over the title role of Wagner's Siegfried both at San Francisco Opera and the Metropolitan Opera, appears as Captain Ahab in the final two performances.

Watch an interview with composer Jay Heggie conducted by Ian Campbell, General and Artistic Director at San Diego Opera, about the creation of the opera.

Sung in English with English supertitles
Approximate running time: 3 hours including one intermission

Pre-Opera Talks are free to ticketholders and take place in the main theater in the Orchestra section, 55 minutes prior to curtain.

Commissioned and produced by San Francisco Opera in partnership with The Dallas Opera, San Diego Opera, Calgary Opera, and the State Opera of South Australia.

Featured image: Ben Heppner and Morgan Smith in The Dallas Opera production of Moby-Dick by Karen Almond/The Dallas Opera; all additional production photos by Karen Almond.

Audio excerpts are from the Dallas Opera 2010 production of Moby-Dick with the Dallas Opera Orchestra and Chorus conducted by Patrick Summers.


Cast

Greenhorn (Ishmael) Stephen Costello *
Captain Ahab Ben Heppner OCT 10, 13, 18, 21, 23, 26
Captain Ahab Jay Hunter Morris OCT 30; NOV 2
Starbuck Morgan Smith
Queequeg Jonathan Lemalu *
Pip Talise Trevigne *
Flask Matthew O’Neill
Stubb Robert Orth

Production Credits

Composer Jake Heggie
Librettist Gene Scheer
Conductor Patrick Summers
Director Leonard Foglia
Set Designer Robert Brill
Costume Designer Jane Greenwood
Lighting Designer Don Holder
Chorus Director Ian Robertson
Choreographer / Movement Director Keturah Stickann

* San Francisco Opera Debut

Synopsis

ACT I
Day One: The Whaling ship Pequod has been at sea for one week
 
Captain Ahab stands alone on deck in the hours before dawn. Below deck, while most of the crew sleeps, the harpooner Queequeg prays and wakes Greenhorn, a loner and newcomer to whaling. Dawn breaks and the call is made for “All Hands!” While the crew is raising the ship’s sails, Starbuck, Stubb, and Flask talk about Ahab, whom no one has seen since the ship left Nantucket.
           
The crew sings of whales, wealth, and home when suddenly, Captain Ahab appears. He tells them of Moby Dick, the white whale that took off one of his legs, then nails a gold doubloon to the mast and promises it to the man who first sights him. This is the real reason they have sailed, he explains: to search the globe to find and destroy this one whale. His rousing call of “Death to Moby Dick!” excites everyone but the first mate, Starbuck. To no avail, he confronts Ahab about what he sees as a futile and blasphemous mission.
           
Starbuck instructs Greenhorn about the dangers of whaling. When he ponders never again seeing his wife and son, he is overcome with emotion and orders Queequeg to complete the lesson. Stubb sights a pod of whales, but Ahab will not allow the eager crew to hunt since they have not yet found Moby Dick. Starbuck orders the crew to sail on and sends Greenhorn up to the lookout on the masthead, joined by Queequeg.
           
As the sun begins to set, Ahab looks over the wake of the ship and mourns that his obsession deprives him of any enjoyment of beauty; all is anguish to him. At the masthead, Queequeg and Greenhorn look over the world, while Starbuck, on deck, bemoans Ahab’s madness.
 
Day Two: Three months later
 
After three months without a single whale hunt, Stubb jokes with the young cabin boy Pip about the sharks circling the ship. The song ignites a dance for the full crew, but rising tensions take over and a dangerous racial fight erupts. When Greenhorn suddenly sights a pod of whales, Starbuck is at last able to persuade Ahab to let the men hunt. Starbuck and Stubb harpoon whales, but Flask’s boat is capsized and Pip is lost at sea.
           
On board the Pequod, an enormous whale is being butchered and the oil rendered in the burning tryworks. Flask tells Ahab that the search for Pip is under way, but Ahab thinks only of finding Moby Dick. As they butcher the whale, the crew imagines Pip lost and struggling in the heart of the sea. Flask tells Starbuck that many oil barrels are leaking and he goes below to tell Ahab they must find a port for repairs.
           
Ahab is unmoved by Starbuck’s report, and is concerned only with the white whale. When Starbuck refuses to leave, Ahab grabs a gun and orders him to his knees. From afar, Greenhorn shouts that pip has been found. Ahab orders Starbuck out of the cabin.
           
On deck, the crew listens to Greenhorn describe how Queequeg rescued Pip. As the men return to work, Greenhorn pleads with Starbuck to get help for Pip. But, the first mate ignores him. Greenhorn observes how life really works on the ship and decides to befriend Queequeg.
           
Starbuck returns to Ahab’s cabin, where he finds the captain asleep. He picks up the gun with which Ahab had threatened him and contemplates what he should do. Pull the trigger and he may survive to see his wife and child again. When Ahab cries out in his sleep, Starbuck replaces the gun and leaves the cabin.
 
ACT II
 
Day Three: One year later
 
An enormous storm is approaching, but Stubb, Flask, and the crew sing a jolly work song. From the mastheads, Greenhorn and Queequeg talk of traveling together to his native island. Greenhorn wants to learn Queequeg’s language and write down their adventures. Suddenly, Queequeg collapses. The crew gets him down and Ahab announces he will take the masthead watch himself.
           
Below deck, Queequeg tells Greenhorn that he is dying and asks that a coffin be built for him. Pip enters from the shadows and sings a lament, joined by Greenhorn.
           
The massive storm now surrounds the Pequod. As Ahab sings defiantly to the heavens, bolts of lightning engulf the ship and the masts glow with St. Elmo’s Fire. Ahab demands that the men hold their posts, promising them the white flame is a sign from heaven to guide them to the white whale. The crew is inspired once again by the captain, much to Starbuck’s distress.
 
Day Four: The next morning
 
The ship has made it through the storm. From afar, the voice of Gardiner, captain of the Rachel, calls out. He pleads with Ahab to help him search for his twelve-year-old son who was lost in the storm, but Ahab refuses. Pip, who has gone mad, shouts to Gardiner of the Pequod’s own lost boy. Pip cuts himself and gets blood on Ahab’s clothes. The captain orders the ship to sail on, leaving Gardiner behind. Ahab contemplates the heartless God who devastates so many lives and baptizes his spear with Pip’s blood.
           
Below deck, Greenhorn sees Queequeg’s newly built coffin and contemplates the madness that seems to surround him.
           
On deck, Ahab and Starbuck gaze over the horizon. Ahab describes his forty years at sea and all he has left behind. And why? He cannot say. But he sees in Starbuck’s eye a human soul, and it touches him deeply. Starbuck seizes the moment and persuades Ahab that they should return to the wives and sons who wait for them in Nantucket.
           
Just has Ahab appears to relent, he sights Moby Dick on the horizon. Great excitement ensues and the whale boats are lowered. Ahab looks again in Starbuck’s eye and orders him to stay on board. The crew declares its loyalty to Ahab. During the chase, Moby Dick destroys two whaleboats in succession, drowning their crews. Then, the Pequod is rammed and sunk, killing all aboard. Ahab’s boat is then attacked and all but the captain jump or fall off. Finally alone with the white whale, Ahab cries out and stabs at Moby Dick before being dragged down into the sea.
 
Epilogue: Many days later
 
Greenhorn floats on Queequeg’s coffin, barely alive, softly singing his lost friend’s prayer. Gardiner call from afar, thinking he has at last found his missing son. Instead, he learns that Ahab and all the crew of the Pequod have drowned, except for this one survivor.

Performances

  • Wed 10/10/12 7:30pm

  • Sat 10/13/12 8:00pm *

  • Thu 10/18/12 7:30pm *

  • Sun 10/21/12 2:00pm *

  • Tue 10/23/12 8:00pm

  • Fri 10/26/12 8:00pm

  • Tue 10/30/12 7:30pm

  • Fri 11/2/12 8:00pm

*OperaVision: High-definition video projection screens will be featured on the balcony level for this performance.
OperaVision is made possible by the Koret-Taube Media Suite.

Sponsors

Company Sponsors John A. and Cynthia Fry Gunn are proud to support this production. This production is made possible, in part, by the Carol Franc Buck Foundation, Leslie and George Hume, the Koret Foundation and Tad and Dianne Taube. Mr. Heppner's appearance is made possible by a gift to the Great Singers Fund by Joan and David Traitel.

Cast, program, prices and schedule are subject to change.