Così fan tutte

Music by Wolfgang Amadeus Mozart

Libretto by Lorenzo Da Ponte

SAN FRANCISCO OPERA PRODUCTION

Two young soldiers disguise their identities to test their lovers' fidelity in this Mozart masterpiece, a sublime and sometimes startling mix of hilarious farce and poignant drama. John Cox's production, which sets the action in Monte Carlo in 1915, makes for "deliciously vivid theater" (Dallas Morning News). The immensely talented young cast includes Ellie Dehn, "a charismatic soprano with great stage presence" (Wall Street Journal) who sang Donna Anna in Don Giovanni (2011) and Countess Almaviva in The Marriage of Figaro (2010); Heidi Stober, who "brought lustrous tone, technical precision and saucy humor" (San Francisco Chronicle) to her role in Xerxes (2011); and Francesco Demuro, "an artist not merely spectacular, but profound" (Seattle Times). Conducting will be music director Nicola Luisotti, "an inexhaustible, graceful conduit of music...always elegant, refined and precise" (Opera News).

Sung in Italian with English supertitles
Approximate running time: 3 hours, 25 minutes including one intermission

Pre-Opera Talks are free to ticketholders and take place in the main theater in the Orchestra section, 55 minutes prior to curtain.


Co-production with Opéra de Monte-Carlo

Production photos: San Francisco Opera production of Così fan tutte by Terrence McCarthy

Audio excerpts are from the July 5, 2005 performance of Così fan tutte with the San Francisco Opera Orchestra conducted by Anne Manson.


Cast

Fiordiligi Ellie Dehn
Dorabella Christel Lötzsch *
Despina Heidi Stober JUN 9, 12, 18, 21, 26
Despina Susannah Biller JUN 29; JUL 1
Ferrando Francesco Demuro
Guglielmo Philippe Sly *
Don Alfonso Marco Vinco

Production Credits

Conductor Nicola Luisotti
Director Jose Maria Condemi
Production Designer Robert Perdziola
Chorus Director Ian Robertson

* San Francisco Opera Debut

Synopsis

ACT I
 
Don Alfonso is trying to enlighten Ferrando and Guglielmo as to the true nature of women. He places a bet that he can prove their fiancées, Fiordiligi and Dorabella, are not the icons of purity the men believe them to be. Both sides are confident of victory within twenty-four hours.
           
Sisters Fiordiligi and Dorabella are celebrating the perfection of their lovers. Don Alfonso arrives and tells them that their men have been called up and must leave immediately for the battlefront. The men enact a farewell scene of “go off to war.” The women are devastated but the maid Despina tells them to look on the bright side and have a good time in their absence—in other words, behave exactly as men do.
           
Don Alfonso and Despina work together to this end. Don Alfonso introduces two Albanian friends whom Despina in turn introduces to the sisters. None of the three women penetrate the disguises of Ferrando and Guglielmo.
           
Fiordiligi and Dorabella are offended to see the strange men and are repelled by their advances. They declare fidelity to their lovers. The young men are delighted, but Don Alfonso is quite relaxed.
           
The sisters continue to grieve. The two rejected strangers return to them, swallow “poison,” and collapse. The terrified girls call for Despina, who goes with Don Alfonso to find a doctor. Fiordiligi and Dorabella try to help the “dying” strangers. Don Alfonso returns with Despina disguised as a doctor who claims to cure everything by magnetism. The men revive and, believing they are in heaven, demand a kiss from their angels Fiordiligi and Dorabella. The sisters manage to resist again.
 
ACT II
 
Despina persuades the sisters to befriend their new admirers. They decide on preferences—Dorabella chooses Guglielmo, and Fiordiligi chooses Ferrando. Each has instinctively chosen the other’s partner. Don Alfonso and Despina cement the new love affairs in the context of a masquerade. The couples pair up and Dorabella yields to Guglielmo. Fiordligi rejects Ferrando, for the time being.
           
Ferrando and Guglielmo exchange notes on their progress. Ferrando is furious, and Guglielmo is triumphant but brutally dismissive of the fallen Dorabella.
           
Despina and Dorabella put pressure on Fiordiligi. Fiordiligi decides she must run away to join Guglielmo at war, but Ferrando confronts her again and she too yields. Agonized, Guglielmo witnesses it all. Don Alfonso has proven his point and won the bet.
           
Don Alfonso and Despina arrange for the new couples to be “married” by Despina disguised as a notary. As the girls sign their names, a military band is heard. Apparently the soldiers have returned unexpectedly. In the confusion, the two men disappear, reemerging without their disguises. Shocked at the evidence of a wedding they swear vengeance on their rivals.
           
The plot is revealed. All four lovers’ certainties have been destroyed. No one quite knows what to feel, except that certainly human nature has been at work.

HEIDI STOBER

Heidi Stober was "vibrant and charming" (San Francisco Chronicle) as Pamina in The Magic Flute (2012).




ELLIE DEHN

Ellie Dehn won raves from audiences with her portrayal of the Countess in The Marriage of Figaro (2010).




MARCO VINCO (DON ALFONSO) AND ELLIE DEHN REUNITE IN COSÌ FAN TUTTE

Marco Vinco and Ellie Dehn are memorable for their performances in Don Giovanni (2011).

Marco Vinco:


Ellie Dehn:



HEIDI STOBER IN “BEHIND THE VOICE”

Heidi Stober discusses her favorite roles in this Behind the Voice:




HEIDI STOBER ANSWERS FACEBOOK QUESTIONS

Watch Heidi Stober answer Facebook fan questions:



INTRODUCTION TO COSÌ FAN TUTTE

Learn more about Così fan tutte in this episode of Opera Talk!




NPR's “WORLD OF OPERA”

Read more about Così fan tutte in NPR's World of Opera:

READ ARTICLE



JOYCE DIDONATO AND RENÉE FLEMING SING “A, GUARDA SORELLA”

Watch Joyce DiDonato (Romeo in this season's The Capulets and the Montagues) and Renée Fleming sing "A, guarda sorella."




Performances

*OperaVision: High-definition video projection screens will be featured on the balcony level for this performance.
OperaVision is made possible by the Koret-Taube Media Suite.

Sponsors

This production is made possible, in part, by San Francisco Opera Guild. Nicola Luisotti's appearance made possible by Jan Shrem and Maria Manetti Shrem, Chairs, Amici di Nicola of Camerata.

Cast, program, prices and schedule are subject to change.