Release date: 8/23/2011

San Francisco Opera Presents World Premiere of Heart of a Soldier by Christopher Theofanidis and Donna Di Novelli September 10-30, War Memorial Opera House

Starring Thomas Hampson, William Burden and Melody Moore; Patrick Summers to Conduct, Francesca Zambello to Direct

Photos Available
SAN FRANCISCO (August 23, 2011)—San Francisco Opera presents the world premiere of Heart of a Soldier, a new opera by composer Christopher Theofanidis with a libretto by Donna Di Novelli. Commissioned by San Francisco Opera in commemoration of the 10th anniversary of the September 11 World Trade Center attacks, Heart of a Soldier is based on the critically acclaimed non-fiction book of the same name by Pulitzer Prize-winning journalist James B. Stewart and the life stories of Susan Rescorla, Rick Rescorla and Daniel J. Hill. The cast features baritone Thomas Hampson, tenor William Burden and soprano Melody Moore.
Heart of a Soldier will premiere on Saturday, September 10, 2011—the eve of the tenth anniversary of the World Trade Center attacks—as part of the Company’s 2011–12 repertory season. Six additional performances will be presented through September 30 at the War Memorial Opera House. Francesca Zambello will direct this world premiere production and San Francisco Opera Principal Guest Conductor Patrick Summers will lead the San Francisco Opera Orchestra and Chorus. The production team includes set designer Peter J. Davison, costume designer Jess Goldstein, lighting designer Mark McCullough, projection designer S. Katy Tucker, physical action director Rick Sordelet, choreographer Lawrence Pech and Company chorus director Ian Robertson.
A tale of war, love, friendship and heroism, Heart of a Soldier reflects on the extraordinary true story of Rick Rescorla, a man trained to be a consummate soldier who gave up his own life saving thousands in the attacks on September 11, 2001. Inspired by the American soldiers he saw as a boy in Cornwall, England preparing to launch the Normandy invasion on what became D-Day, and by his adult friendship with American fighting man Dan Hill, whom he meets in war-torn Rhodesia, Rescorla emigrates to the United States in the early 1960s to become a soldier and a “Yank,” ultimately becoming a decorated platoon leader during the Vietnam War.
On September 11, 2001, as head of security for Morgan Stanley at Two World Trade Center, Rescorla is thrown to the floor when United Airlines Flight 175 crashes into the South Tower. Amidst the unimaginable chaos that ensues, Rescorla uses his commanding presence and booming voice to literally sing his colleagues down smoke-filled stairs and out of the building. While he successfully evacuates all of his company’s 2,700 employees from the South Tower before it collapses, Rescorla makes the ultimate sacrifice when he goes back into the building to search for stragglers. Heart of a Soldier is an opera about a hero who disdains that very term, and about his deep friendship with an American soldier, so unlike him in approach and yet so similar in dedication and bravery.
Renowned American baritone Thomas Hampson returns to San Francisco Opera as Rick Rescorla. In addition to creating the role of Valmont in the world premiere of Conrad Susa’s The Dangerous Liaisons, Hampson has previously performed with the Company as Figaro in The Barber of Seville, Ulysses in Il Ritorno d’Ulisse in Patria andin the title roles of Hamlet and Macbeth. A great champion of American song and music, Hampson recentlyreceived the Library of Congress’s “Living Legend” award, which recognizes individuals who have made significant contributions to America’s diverse cultural, scientific, and social heritage.
Returning to San Francisco Opera after his most recent appearance as Tom Rakewell in The Rake’s Progress, William Burden is Rick Rescorla’s best friend,Daniel J. Hill. Burden has previously created roles in two other world premiere productions—Gilbert Griffiths in Tobias Picker’s An American Tragedy at the Metropolitan Opera and Dodge in Daron Hagen’s Amelia at the Seattle Opera. The American tenor made his San Francisco Opera debut as Count Lerma in Don Carlo and has also appeared as Janek in The Makropulos Case and Lindoro in L’Italiana in Algeri.
Former Adler Fellow Melody Moore creates the role of Susan Rescorla, Rick’s beloved wife. Moore has previously appeared with the Company as Mimì in La Bohème in 2008 as well as Countess Almaviva in Le Nozze di Figaro and Kate Pinkerton in Madama Butterfly. Career highlights include Mimì at English National Opera and Opera Cleveland; Countess Almaviva with Los Angeles Opera and Rita Clayton in the New York premiere of Stephen Schwartz’s Seance on a Wet Afternoon with New York City Opera.
 “For nearly a decade I have been hoping to commission an opera from the brilliantly talented Christopher Theofanidis,” stated David Gockley. “When there finally was a window of opportunity at Houston Grand Opera, I changed jobs and preliminary plans for Heart of a Soldier had to be put on hold. Once in San Francisco, I felt the opportunity to commission this work in observation of the tenth anniversary of the tragic events of 9/11—and the commitment of Tom Hampson to create the lead role—gave the project critical mass. On the surface the piece is about what it takes to be a true hero, but what will drive the music is the passion, the suspense and the ultimate tragedy.”
Christopher Theofanidis explains: “Donna and I have spent time with Dan Hill and Susan Rescorla (Rick Rescorla’s widow) and we are honored to be involved with this project. The fact that it is a true story has made it very personal for both of us. This is fundamentally a deeply humanistic work, with an emphasis on Rick and Dan coming to understand who they are as people and then maximizing their potential. The essence of this comes from a sense of service to others and duty—the heart of a soldier. This nobility of spirit is transformed in the arc of the opera from Vietnam, where it kept Rick and Dan's troops together, to September 11th, when Rick went back into a building he knew was going to fall. Another theme resonating throughout the opera is how we honor and remember the dead, how we incorporate them into our own hearts and come to grips with great loss.”
“When I read James Stewart's true story of an unsung hero of 9/11, its epic themes of a warrior’s code of honor, intense bonds of loyalty, late-found love and overwhelming tragedy struck me as extremely theatrical,” said Francesca Zambello. “It also takes up ideas and ideals, morals and morality in the context of modern American lives. I have always wanted to create an opera based on a real life story and was very gratified when David Gockley agreed to develop this work with me.”
Ancillary Events
San Francisco Opera partners with the Jewish Community Center of San Francisco, Litquake Festival, Grace Cathedral, the Commonwealth Club, the San Francisco Center for Psychoanalysis and the San Francisco Opera Guild to present an array of panel discussions, lectures and special events in conjunction with the Heart of a Soldier premiere. Events include discussions with members of opera’s artistic team, author James B. Stewart and Susan Rescorla about the creation of the work and the motivations and challenges behind creating this inspiring opera. A full listing of ancillary events can be found at the end of this press release and at
San Francisco Opera’s annual free Opera in the Park concert at Sharon Meadow, Golden Gate Park, on Sunday, September 11 at 2 p.m., has been recognized as the City and County of San Francisco’s civic observance commemorating the tenth anniversary of the September 11, 2001 terrorist attacks in New York City, Washington, D.C. and Pennsylvania. Presented by the San Francisco Chronicle and San Francisco Opera, with the participation of the Office of the Mayor of San Francisco, the Honorable Edwin M. Lee, in cooperation with the San Francisco Interfaith Council, this year’s special Opera in the Park concert will honor the memory of those who perished on 9/11 and celebrate the service and heroism of the Bay Area’s first responders including firefighters, paramedics and police, among others. San Francisco Opera Music Director Nicola Luisotti will conduct the San Francisco Opera Orchestra, Chorus and acclaimed soloists from the Company’s Fall 2011 Season in a concert featuring Mozart’s Requiem in D minor, and inspirational works by American composers Leonard Bernstein, Aaron Copland and John Williams, as well as music by Christopher Theofanidis. During the Mozart Requiem, musical movements will be interspersed with meditational texts read by members of the broad religious community that comprise the San Francisco Interfaith Council. For more information, visit
San Francisco Opera announces the launch a new Company blog that will give readers an inside look at the creative process and behind-the-scenes activities that take place each day. Backstage at San Francisco Opera, hosted at, will have many contributors, each involved with the Company in a unique way. The blog will feature many posts about Heart of a Soldier including entries from singers, designers, crew members as well as the composer and the director.
Tickets & Information
Tickets for Heart of a Soldier are priced from $21 to $389 and may be purchased at or through the San Francisco Opera Box Office [301 Van Ness Avenue (at Grove Street), or by phone at (415) 864-3330]. Standing Room tickets go on sale at 10 a.m. on the day of each performance; tickets are $10 each, cash only.
The War Memorial Opera House is located at 301 Van Ness Avenue at Grove Street. Patrons are encouraged to use public transportation to attend San Francisco Opera performances. The War Memorial Opera House is within walking distance of the Civic Center BART station and near numerous bus lines, including 5, 21, 47, 49 and the F Market Street. For more public transportation information, visit and
Casting, programs, schedules and ticket prices are subject to change. For further information about Heart of a Soldier and San Francisco Opera’s 2011–12 season, please visit