Pretty much anyone can recognize an image by graphic artist Michael Schwab—even if you don’t know it yet. He has created award-winning logos and posters for a remarkable list of prestigious clients, including Apple, Amtrak, the Golden Gate National Parks, Major League Baseball, Robert Mondavi, Robert Redford, Sundance and Wells Fargo. His work is easily recognized by his signature use of large, flat areas of color, dramatic perspectives and bold, graphic images of archetypal human forms.
Posted: 05/16/2012 by
Michael Schwab (Graphic Artist)
San Francisco Opera's BRAVO! CLUB is a group of young adults dedicated to building a new audience for San Francisco Opera with other arts lovers aged 21–40. Founded in 1991, the group has an annual membership of over 500 Bay Area professionals and hosts a variety of educational and performance-related events in support of San Francisco Opera. BRAVO! CLUB board president, Barclay Rogers, shares his story on why he joined the group.
Posted: 05/16/2012 by
Barclay Rogers (BRAVO! CLUB Board President)
In March the San Francisco Opera Scene Shop in Dogpatch welcomed 88 Kindergarten, 1st and 3rd grade students from Rooftop Alternative School along with their teachers, and parent chaperones for a much anticipated field trip as part of the Education Department’s ARIA Network program. What awaited us was the most amazing, exciting and inspiring experience ever! From the moment the scene shop crew ushered the students into the shop’s cavernous space, and handed them fluorescent pink, blue, green and yellow goggles, they knew they were in for something special. No ordinary field trip, this!
Posted: 05/10/2012 by
Mary Ann Cruz (Kindergarten teacher)
San Francisco Opera will present Verdi’s Attila this June starring superstar bass Ferruccio Furlanetto. Co-produced with Milan’s Teatro alla Scala and directed by Gabriele Lavia, the new production is unusual and distinctive because it is set in three different periods of Italy’s history: ancient Rome circa 450 AD; the Viennese occupation of the early 1800’s; and the present day. Our Music Director Nicola Luisotti conducted the production in Milan and will conduct it here in June. He has this to say about the production:
Posted: 05/07/2012 by
Nicola Luisotti (Music Director)
I worked in the rehearsal department for three seasons and after leaving that position, I was prepared to do just about anything. I could spit out any one of a hundred phone numbers faster than you could pull out your iPhone. People marvel at that, and I marvel that they marvel. It was just second nature to me and anyone else who worked here. You have to be ready to do anything at a moment’s notice. During the 1989 earthquake, one of my co-workers was at the ER with a singer who had injured her ankle during a performance while the rest of us phoned all remaining artists to be certain everyone was OK. Thankfully, all were fine, and one of our mezzos even invited all of the other artists to her apartment for a chicken dinner. The very next morning we had set up camp at the Masonic Auditorium where we proceeded to perform a week’s worth of opera there in concert version.
Posted: 05/04/2012 by
Valentina Simi (Artist Services Coordinator & Assistant to the Musical Director)