Mexican-American baritone Efraín Solís is a first-year Adler Fellow who has been seen in performances throughout the Bay Area. In the 2013 Merola Opera Program, he sang Junius in The Rape of Lucretia and covered the Count in The Marriage of Figaro. As a graduate student at the San Francisco Conservatory of Music, he performed the title role of Don Giovanni, Guglielmo in Così fan tutte, and the title role of Gianni Schicchi and in the spring of 2013 he joined Opera Santa Barbara as a member of their Studio Artist Program. Chosen as a finalist for the Metropolitan Opera National Council Auditions and the 2013 Houston Grand Opera's Eleanor McCollum Competition, he will make his San Francisco Opera debut as Prince Yamadori in Madame Butterfly, and can be seen in A Masked Ball and Tosca in the 2014-15 Season. Below, Efraín discusses his education in San Francisco, musical family, and love of artisanal coffee.

Posted: 04/28/2014 by San Francisco Opera


On Sunday, April 27 San Francisco Opera Center and the Merola Opera Program conclude the 32nd season of the Schwabacher Debut Recitals with New Zealand tenor Pene Pati and pianist Sun Ha Yoon. Together, they will present a program of recital favorites by Richard Strauss, Roger Quilter and Paolo Tosti, as well as a selection of songs from Pati’s native Samoa, for which he will accompany himself on guitar.   
Posted: 04/24/2014 by San Francisco Opera


Incest. Dragons. Bastard sons. Unexpected love stories. Girls disguised as boys. Why, George R.R. Martin took more than one page from opera when he created his epic series Game of Thrones! And so as we eagerly anticipate the premiere of season 4 on Sunday night, we at San Francisco Opera give you 15 Ways Opera is like Game of Thrones: 


Posted: 04/02/2014 by San Francisco Opera


Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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