It’s one of the favors many of us hate to ask for: “Hey there, would you mind picking me up at the airport? And at 11:30pm, since I’m coming in from Europe?”


This most needed and minimally glamorous task is one that Christine Miller and Gary Glaser have done on behalf of San Francisco Opera for more than 30 years. They have picked up countless artists from San Francisco International Airport over the years, and it is one of the many reasons why they are the recipients of the 2013 Spirit of the Opera Award, the highest honor the Opera bestows upon members of our community. 

Posted: 02/21/2013 by San Francisco Opera


Nearly five years ago, I made the difficult choice to leave behind my then 15 years of training and experience as a solo pianist, and embark on a master’s degree in Collaborative Piano. Little did I know then that the huge amount of work, responsibility, and study that degree and my subsequent apprenticeships demanded would culminate in my current profession as a coach/accompanist here at San Francisco Opera.  In searching for the skill set that would make me an ideal candidate for an Adler position here (I must confess here that coming here to SFO was a longtime dream of mine), I was lucky enough to get my hands dirty in the rehearsal rooms, orchestra libraries, coaching studios, and orchestra pits of Virginia Opera, Boston Lyric Opera, and Washington National Opera, doing my best to learn as much as I could experientially about every cog in this Rube Goldberg machine we call opera!
Posted: 07/05/2012 by Robert Mollicone (1st Year Adler Coaching Fellow)


Making his San Francisco Opera debut with The Magic Flute this summer, Scottish-born Rory Macdonald has rapidly established himself as one of Britain’s most talented, dynamic young conductors. Below Rory shares the challenges and thrills of conducting one of Mozart's most beloved operas.




Posted: 07/02/2012 by Rory Macdonald


We at San Francisco Opera think of every person who comes to the Opera as part of our family. And our family, like any family, contains a wide variety of personalities and interests. But the undisputed ‘mother hen’ of our Opera family is Board Member Sylvia Lindsey, who this spring received the 2012 Spirit of the Opera Award, the highest honor the Opera Association confers upon non-artistic members of its community.

Posted: 05/14/2012 by Sylvia Lindsey


Lauré Campbell has served as San Francisco Opera’s orchestra librarian for an incredible 41 seasons. From just down the hall from the orchestra pit, Lauré’s job has been to acquire the sheet music for each production – whether from the Company’s own library or another source, mark it up to the necessary specifications, and have it ready for each member of the orchestra. Retiring this spring, we asked Lauré a few questions about what’s changed during her tenure, what hasn’t, and what she’ll miss most.

Posted: 01/24/2012 by Lauré Campbell, Orchestra Librarian


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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