Soprano Marina Harris
is a second-year Adler Fellow. Marina made her debut at San Francisco Opera as Susan Sowerby in the world premiere of The Secret Garden
earlier this year and sang multiple roles in the world premiere of The Gospel of Mary Magdalene.
This season, she has appeared as Elena in Mephistopheles
, a maid in Dolores Claiborne
, and Berta in The Barber of Seville for Families
. Along with her fellow Adlers, Marina will be featured in The Future is Now: The Adler Fellows Gala Concert
TONIGHT, November 27, at 7:30 pm at the Scottish Rite Masonic Center. You can also catch Marina one last time as an Adler Fellow performing with the San Francisco Gay Men's Chorus in their Holiday Concert "SHINE!"
on Friday, December 6. Below, Marina answers our questions about her favorite moments as an Adler, what it's like to work on world premieres, and why she's glad to be a West Coast native.
Posted: 11/26/2013 by
San Francisco Opera
Tomorrow evening our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert
. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.
As the year draws to a close for our Adlers, we want to take a moment to highlight some of their key roles in 2013. The Adler Fellows truly are the rising stars of opera
, and you can say “You saw them here first!”
Posted: 11/25/2013 by
San Francisco Opera
Mezzo-soprano Renée Rapier
is a second-year Adler Fellow who made her Company debut in last season's production of Rigoletto
. Renée graduated from the University of Northern Iowa, and partcipated in the Merola Opera Program in 2010 and 2011, when she sang Rosina in Il barbiere di Siviglia
. She has won numerous awards, including being a national finalist of the Bel Canto Vocal Scholarship Foundation Competition and a national semifinalist at the Metropolitan Opera Council Auditions in 2011. This season she has appeared in three company productions: as Pantalis in Mephistopheles
, a Maid in Dolores Claiborne
, and most recently as Meg Page in Falstaff
. Here, Renée reflects on working with opera legends, her past life as a violist, and how you can tell a lot about a person by how they feel about Arrested Development
Posted: 11/13/2013 by
San Francisco Opera
We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.
How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:
The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by
Timothy J. Muldoon (Volunteer Docent)
It’s 6:54 pm and I’m warming up for the opening night of Falstaff
; although not in the way one might imagine, scales and such. Instead, I’m doing lunges, hamstring stretches and sun salutations. Just as my muscles are loosening up comes a knock at the door from my (wonderful) makeup artist and the gears of the show begin to move. Soon “Places!” is called and I do one last stretch before I climb into my costume. If there’s one thing I’ve learned, it’s that Falstaff
is an athletic event.
Posted: 10/11/2013 by
Renée Rapier, mezzo-soprano