With the final performance of Madama Butterfly on July 9, let's take a moment and rediscover how artist and production designer Jun Kaneko took his first foray into opera design. Below is an excerpt from his 2011 book.
Posted: 07/02/2014 by Jun Kaneko (Production Designer, Madama Butterfly)


This year, San Francisco Opera came out... to celebrate LGBT pride by marching in the SF Pride Parade. Adding this to our Rainbow Series Subscription, LGBT focused receptions and events, and the decoration of the opera house with rainbow lights, San Francisco Opera is proud to support our LGBT friends, family, and community. The whole group, including Tosca, five of Scarpia's henchmen, and the many volunteers who marched in the parade, was made up of SFO staff members, supernumeraries, bravo club members, and donors – a collaboration representative of the whole San Francisco Opera family.
Below are some photos from this exciting event. 
Posted: 06/30/2014 by San Francisco Opera


When I first met Jun Kaneko, he was on a ladder with clay up to his elbows, working on a gigantic head. He joked that the piece might take two years to dry, and then he wouldn’t be able to say whether it would crack when it encountered the incredible heat of the kiln. I knew then that we would have a rich collaboration! As with one of Jun’s large clay pieces, we worked for over two years to create the world that was to be our Madama Butterfly. It was an incredibly rich creative and collaborative process born out of deep respect for Puccini’s masterpiece and its resonance within Jun Kaneko’s beautiful and profound aesthetic vision.

Posted: 06/27/2014 by Leslie Swackhamer (Director, Madame Butterfly)


We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.

How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:

The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by Timothy J. Muldoon (Volunteer Docent)


It’s one of the favors many of us hate to ask for: “Hey there, would you mind picking me up at the airport? And at 11:30pm, since I’m coming in from Europe?”


This most needed and minimally glamorous task is one that Christine Miller and Gary Glaser have done on behalf of San Francisco Opera for more than 30 years. They have picked up countless artists from San Francisco International Airport over the years, and it is one of the many reasons why they are the recipients of the 2013 Spirit of the Opera Award, the highest honor the Opera bestows upon members of our community. 

Posted: 02/21/2013 by San Francisco Opera


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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