With the final performance of Madama Butterfly
on July 9, let's take a moment and rediscover how artist and production designer Jun Kaneko took his first foray into opera design. Below is an excerpt from his 2011 book.
One sunny afternoon in early Spring 2003, I received an invitation to fly with Madama Butterfly
. After a few months of consideration, I accepted and my journey designing scenery and costumes for Puccini’s Madama Butterfly
Posted: 07/02/2014 by
Jun Kaneko (Production Designer, Madama Butterfly)
This year, San Francisco Opera came out... to celebrate LGBT pride by marching in the SF Pride Parade. Adding this to our Rainbow Series Subscription, LGBT focused receptions and events, and the decoration of the opera house with rainbow lights, San Francisco Opera is proud to support our LGBT friends, family, and community. The whole group, including Tosca, five of Scarpia's henchmen, and the many volunteers who marched in the parade, was made up of SFO staff members, supernumeraries, bravo club members, and donors – a collaboration representative of the whole San Francisco Opera family.
Below are some photos from this exciting event.
Posted: 06/30/2014 by
San Francisco Opera
When I first met Jun Kaneko, he was on a ladder with clay up to his elbows, working on a gigantic head. He joked that the piece might take two years to dry, and then he wouldn’t be able to say whether it would crack when it encountered the incredible heat of the kiln. I knew then that we would have a rich collaboration! As with one of Jun’s large clay pieces, we worked for over two years to create the world that was to be our Madama Butterfly.
It was an incredibly rich creative and collaborative process born out of deep respect for Puccini’s masterpiece and its resonance within Jun Kaneko’s beautiful and profound aesthetic vision.
Posted: 06/27/2014 by
Leslie Swackhamer (Director, Madame Butterfly)
The Golden Globes, Screen Actor's Guild and of course the Grammy Awards are all behind us, and yet we've still got the Oscars to look forward to this winter! And let's be honest, isn't the red carpet the reason we all watch? It's awards season and we've got gorgeous gowns on the mind! Where better to draw inspiration than from some of the most stunning dresses to grace the stage of the War Memoria Opera House? Join us as we look back at gowns from 10 San Francisco Opera productions that our favorite celebrities would kill to wear as they walk the red carpet this season.
Posted: 01/28/2014 by
Christopher Verdosci (Assistant Costume Director)
We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.
How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:
The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by
Timothy J. Muldoon (Volunteer Docent)