We sat down with San Francisco Opera Guild volunteer docent Timothy J. Muldoon to find out what it’s like leading tours of the War Memorial Opera House, how one keeps straight all the facts and figures and what are some of the most satisfying – and challenging – parts of the job.

How did you come to be an Opera Guild tour docent?
If you’re asking about my motivations for becoming a docent, there are three important ones:

The first time I walked into the Opera House I knew, without doubt, I was standing in the most beautiful building in San Francisco. After all these years, walking into the foyer and looking up at that magnificent vaulted ceiling still gives me chills. I wanted to be a part of that house, and leading tours gives me that opportunity in a very personal way.
Posted: 11/05/2013 by Timothy J. Muldoon (Volunteer Docent)


It’s one of the favors many of us hate to ask for: “Hey there, would you mind picking me up at the airport? And at 11:30pm, since I’m coming in from Europe?”


This most needed and minimally glamorous task is one that Christine Miller and Gary Glaser have done on behalf of San Francisco Opera for more than 30 years. They have picked up countless artists from San Francisco International Airport over the years, and it is one of the many reasons why they are the recipients of the 2013 Spirit of the Opera Award, the highest honor the Opera bestows upon members of our community. 

Posted: 02/21/2013 by San Francisco Opera


An intriguing invitation was posted in this Tweet by SF Opera on May 29, 2012:“Are you an #opera curious power Tweeter? Apply for a Tweet Seat at dress rehearsal of Nixon in China, June 5, 2pm pls RT” When I read the tweet, I had already purchased my ticket to see Nixon in China on opening night. This unexpected invitation inspired me to see if I could use my iPad to capture my experience of Nixon in China and share my impressions with the SF Opera community and the Twitterverse.

Posted: 06/25/2012 by David Newman (artist and Nixon in China Tweeter)


“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.

For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.

 

Posted: 06/21/2012 by Tess Uriza Holthe (Super, Nixon in China)


I am just going to admit it: I am showmanced.

And this is no run of the mill, 8 week and then you are done, showmance. This one will go the distance. The difficulty of this showmance is that it involves more than one artist and I am afraid that when Nixon in China finishes its run here in San Francisco, I may be thrown into a fit of post-show depression that I can’t climb out of.

Posted: 06/08/2012 by Buffy Baggott (Secretary to Chairman Mao, Nixon in China)


Displaying results 1-5 (of 10)
 |<  < 1 - 2  >  >| 

Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

Syndication

Blog postsRSS