It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)
We cannot wait to unveil our brand new production of The Magic Flute
, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
Posted: 04/18/2012 by
San Francisco Opera
San Francisco Opera's Media Department works tirelessly to capture and produce the best and most stirring moments on stage. Below is a blog post from Media Coordinator and Assistant Video Director Jessica Shown-Morgan on her recent trip to see the co-production of Moby Dick at San Diego Opera. Moby Dick makes its Bay Area premiere at San Francisco Opera on October 10, 2012.
Posted: 03/27/2012 by
Jessica Shown-Morgan (Assistant Video Director)
When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen
my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot
as one of the soldiers.
Posted: 11/28/2011 by
Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)
I am insufficiently blonde. Sigh. Yes, having blondish hair was one of the main reasons I was wrangled into playing the Super Bride in Heart of a Soldier
in the first place. But after our first dress rehearsal, the artistic team realized that with my natural hair curled and coiffed into a style of the era, I looked more like a hippie Flower Child bride. Not, unfortunately, like a big-haired girl from the Lone Star state. Which is what I am supposed to be.
Posted: 10/04/2011 by
Kristen Jones (Senior Leadership Gifts Officer & Super Bride, Heart of a Soldier)