Lauré Campbell has served as San Francisco Opera’s orchestra librarian for an incredible 41 seasons. From just down the hall from the orchestra pit, Lauré’s job has been to acquire the sheet music for each production – whether from the Company’s own library or another source, mark it up to the necessary specifications, and have it ready for each member of the orchestra. Retiring this spring, we asked Lauré a few questions about what’s changed during her tenure, what hasn’t, and what she’ll miss most.
Posted: 01/24/2012 by
Lauré Campbell, Orchestra Librarian
When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen
my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot
as one of the soldiers.
Posted: 11/28/2011 by
Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)
How many people does it takes to run a performance of Turandot
? More than you might think!
Posted: 11/23/2011 by
San Francisco Opera
As the lutenist in San Francisco Opera’s 2011 production of Xerxes, I play not only an unusual role in the orchestra, but also a number of unusual instruments not well known to many opera goers. While the traditional opera repertory is not often thought of as utilizing improvisation, baroque music has a rich history of it. Nowhere is this truer than in this production of Xerxes where the harpsichord and I make up what could essentially be called the rhythm section of the orchestra. We play from a bass line, much like what a cellist uses, but we have figured bass (numbers under the bass notes which tell us which harmonies to play) added to our parts. Similar to how a jazz pianist might accompany a song, both the harpsichord the lute family instruments play the harmony, which is improvised in keeping with musical content of the composer.
Posted: 11/05/2011 by
Michael Leopold (Theorbo, Arch Lute and Baroque Guitar, Xerxes)
I am insufficiently blonde. Sigh. Yes, having blondish hair was one of the main reasons I was wrangled into playing the Super Bride in Heart of a Soldier
in the first place. But after our first dress rehearsal, the artistic team realized that with my natural hair curled and coiffed into a style of the era, I looked more like a hippie Flower Child bride. Not, unfortunately, like a big-haired girl from the Lone Star state. Which is what I am supposed to be.
Posted: 10/04/2011 by
Kristen Jones (Senior Leadership Gifts Officer & Super Bride, Heart of a Soldier)