I began supering in 1985, with a brand new complete Ring
cycle. Since then, I’ve done all the classics—Carmen, La Bohème, Rigoletto
, etc. etc. —as well as my share of more obscure pieces. However, the one thing I’ve never done is a brand-new, hot-off-the-presses, world-premiere opera—until now!!! [Photo Left: Laurel Winzler in her English maid costume from The Secret Garden.
Posted: 03/06/2013 by
Laurel Winzler (Supernumerary, The Secret Garden)
This Friday, our phenomenally talented Adler Fellows will perform in their annual The Future is Now: Adler Gala Concert
. Founded in 1977 as the San Francisco Affiliate Artists-Opera Program, Adler Fellowships are performance-oriented residencies for the most advanced young singers and coach/accompanists. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Fellowship Program offers intensive individual training and roles of increasing importance in San Francisco Opera's main-stage season.
Posted: 11/28/2012 by
San Francisco Opera
“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.
For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.
Posted: 06/21/2012 by
Tess Uriza Holthe (Super, Nixon in China)
It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)
Why in the world would a 95-year-old-lady, doddering along with a cane, be asked to share her thoughts about the intricate world of opera? Because if you’ve traveled the world, as I have, to see 63 complete Ring cycles and countless other operas besides, you want the world to know why you’re so passionate about opera and why it’s so important to keep this priceless art form thriving. Opera has enriched my life beyond measure, and my financial support of San Francisco Opera—including my legacy gift—will help enrich the lives of others in the coming years.
Posted: 03/12/2012 by
Verna Parino, Bel Canto member