It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute
Posted: 06/20/2012 by
Natalie Beier ("Super" Chick and Budding Costume Designer)
When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen
my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot
as one of the soldiers.
Posted: 11/28/2011 by
Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)
I am insufficiently blonde. Sigh. Yes, having blondish hair was one of the main reasons I was wrangled into playing the Super Bride in Heart of a Soldier
in the first place. But after our first dress rehearsal, the artistic team realized that with my natural hair curled and coiffed into a style of the era, I looked more like a hippie Flower Child bride. Not, unfortunately, like a big-haired girl from the Lone Star state. Which is what I am supposed to be.
Posted: 10/04/2011 by
Kristen Jones (Senior Leadership Gifts Officer & Super Bride, Heart of a Soldier)
“Do you have to wear your glasses? No? Then I want them off. And do you have high heels with you? Yes? Good. Go put them on. I want you wearing heels.”
These are some of the first words spoken to me by director Francesca Zambello as I enter my maiden rehearsal for Heart of a Soldier. Having just come from a day at work, I had changed into flats and put on my glasses--which I typically only wear for driving, movie watching, or making sure flying stage knives aren’t headed my way--so that I would be better prepared for what the night would hold. It was clear in that moment that my journey from mere civilian to Supernumerary (or ‘Super,’ for short) was underway.
Posted: 08/29/2011 by
Kristen Jones (Senior Leadership Gifts Officer)