The opera and fashion worlds share many adjectives: drama, elegance, passion, inspiration, beauty. These two art forms have the power to influence and stand the test of time. This Thursday night, these worlds will collide when acclaimed designer Jason Wu will showcase his Fall 2013 Collection at San Francisco’s City Hall. Since the debut of his Ready-to-Wear Collection in 2006, Mr. Wu has emerged as one of the leading global talents in the fashion world.


Posted: 03/19/2013 by San Francisco Opera


I began supering in 1985, with a brand new complete Ring cycle. Since then, I’ve done all the classics—Carmen, La Bohème, Rigoletto, etc. etc. —as well as my share of more obscure pieces. However, the one thing I’ve never done is a brand-new, hot-off-the-presses, world-premiere opera—until now!!! [Photo Left: Laurel Winzler in her English maid costume from The Secret Garden.]


Posted: 03/06/2013 by Laurel Winzler (Supernumerary, The Secret Garden)


“What do you mean when we spin Nixon on the banquet table?” My head cocked to one side the way my dog Earl’s does when I ask him to do something new.

For at least seven rehearsal meetings my “Supers” table partner and I had been practicing the choreographed banquet scene for Nixon in China. The table is at least five feet in diameter.

 

Posted: 06/21/2012 by Tess Uriza Holthe (Super, Nixon in China)


It all started innocently enough. Nine year-old Natalie Beier, who always loved art and fashion, needed to do research on costume design for an upcoming school production of Anne of Green Gables. For her research, she came to the opera with her family, went to the library, and ultimately got a very special glimpse into San Francisco Opera's Costume Shop. And for the budding costume designer, a once-in-a-lifetime opportunity arose: to be a supernumerary or "super" chick in this summer's production of The Magic Flute!

Posted: 06/20/2012 by Natalie Beier ("Super" Chick and Budding Costume Designer)


When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot as one of the soldiers.
Posted: 11/28/2011 by Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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