Most people don’t spend their lives at the opera, although depending on the composer and the evening in question, it might seem that way. But I can say that I have been at the opera, actually in this building, 45 of my 49 years. No, I am not a phantom living in some part of the sub-basement near the stream that runs under the theatre. (Yes, there’s a stream and no, there are no people down there floating around in small boats wearing opulent costumes--at least not that we know of.)
Posted: 04/30/2012 by
Valentina Simi (Artist Services Coordinator and Assistant to the Music Director)
We cannot wait to unveil our brand new production of The Magic Flute
, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
Posted: 04/18/2012 by
San Francisco Opera
San Francisco Opera's Media Department works tirelessly to capture and produce the best and most stirring moments on stage. Below is a blog post from Media Coordinator and Assistant Video Director Jessica Shown-Morgan on her recent trip to see the co-production of Moby Dick at San Diego Opera. Moby Dick makes its Bay Area premiere at San Francisco Opera on October 10, 2012.
Posted: 03/27/2012 by
Jessica Shown-Morgan (Assistant Video Director)
It always surprises me how many people ask me if I work for the San Francisco Ballet during the off-season or assume that I am unemployed from the end of the last performance of the fall season until we load in for the summer season in May. I’m here to assure you that I don’t have any trouble keeping busy from December through April.
I always spend the first few weeks of December doing what I call, “picking up the pieces.” This means that I finally answer all those emails that I’ve been putting off because they required more research, and if I’m lucky can get the virtual in-box pared down from 500+ messages to less than 50 that still require some sort of action.
Posted: 02/09/2012 by
April Busch (Production Operations Director)
Lauré Campbell has served as San Francisco Opera’s orchestra librarian for an incredible 41 seasons. From just down the hall from the orchestra pit, Lauré’s job has been to acquire the sheet music for each production – whether from the Company’s own library or another source, mark it up to the necessary specifications, and have it ready for each member of the orchestra. Retiring this spring, we asked Lauré a few questions about what’s changed during her tenure, what hasn’t, and what she’ll miss most.
Posted: 01/24/2012 by
Lauré Campbell, Orchestra Librarian