This year, San Francisco Opera came out... to celebrate LGBT pride by marching in the SF Pride Parade. Adding this to our Rainbow Series Subscription, LGBT focused receptions and events, and the decoration of the opera house with rainbow lights, San Francisco Opera is proud to support our LGBT friends, family, and community. The whole group, including Tosca, five of Scarpia's henchmen, and the many volunteers who marched in the parade, was made up of SFO staff members, supernumeraries, bravo club members, and donors – a collaboration representative of the whole San Francisco Opera family.
Below are some photos from this exciting event. 
Posted: 06/30/2014 by San Francisco Opera


A life on the road can get lonely from time to time. Brian Jagde, our Pinkerton in this summer's Madame Butterfly, is no exception to the rule. Thankfully he has his trusty companian Cav with him where ever he goes! Brian most recently appeared on the San Francisco Opera stage in our 2012 production of Tosca. Where has Brian and Cav been since? Let's find out in our Operatic Doggie Diary!


Posted: 06/18/2014 by Brian Jagde (Pinkerton, Madame Butterfly)


The first time I sang in a production of Hoffmann was 2007 in Vienna where I played the four servants. It was a reductive, bizarre, but very enchanting production. I fell in love with the show at that point because it felt like a dream from which I did not want to awake; especially the last act with its gently rocking barcarolle. It’s not an easy show to put on because it’s a big cast and finding someone who can sing the title role can be a struggle, but it’s one of my favourites and I would hope to hear it for the rest of my life.

Posted: 07/02/2013 by Thomas Glenn, tenor


Sitting around a table enjoying happy hour with a couple of my brother’s friends, I casually mentioned that I had attended a performance of The Marriage of Figaro and really enjoyed it. One friend, who I shall do the service of not naming, said “Anna, I didn’t realize you attended operas!” “Oh!,” I replied, “it’s one of the great perks of working at San Francisco Opera—I get to see every production we do!” “Wait,” he said, “you work at the Opera?” He started laughing, and unfortunately continued: “I imagine you and seven other people crammed around a table sewing a bustier or something.”

Posted: 08/31/2012 by Anna Sopko Wright (Sr. Marketing Manager, Subscriptions)


I worked in the rehearsal department for three seasons and after leaving that position, I was prepared to do just about anything.  I could spit out any one of a hundred phone numbers faster than you could pull out your iPhone.  People marvel at that, and I marvel that they marvel. It was just second nature to me and anyone else who worked here.  You have to be ready to do anything at a moment’s notice.  During the 1989 earthquake, one of my co-workers was at the ER with a singer who had injured her ankle during a performance while the rest of us phoned all remaining artists to be certain everyone was OK.  Thankfully, all were fine, and one of our mezzos even invited all of the other artists to her apartment for a chicken dinner.  The very next morning we had set up camp at the Masonic Auditorium where we proceeded to perform a week’s worth of opera there in concert version.  
Posted: 05/04/2012 by Valentina Simi (Artist Services Coordinator & Assistant to the Musical Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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