Sitting around a table enjoying happy hour with a couple of my brother’s friends, I casually mentioned that I had attended a performance of The Marriage of Figaro
and really enjoyed it. One friend, who I shall do the service of not naming, said “Anna, I didn’t realize you attended operas!” “Oh!,” I replied, “it’s one of the great perks of working at San Francisco Opera—I get to see every production we do!” “Wait,” he said, “you work
at the Opera?” He started laughing, and unfortunately continued: “I imagine you and seven other people crammed around a table sewing a bustier or something.”
Posted: 08/31/2012 by
Anna Sopko Wright (Sr. Marketing Manager, Subscriptions)
Pretty much anyone can recognize an image by graphic artist Michael Schwab—even if you don’t know it yet. He has created award-winning logos and posters for a remarkable list of prestigious clients, including Apple, Amtrak, the Golden Gate National Parks, Major League Baseball, Robert Mondavi, Robert Redford, Sundance and Wells Fargo. His work is easily recognized by his signature use of large, flat areas of color, dramatic perspectives and bold, graphic images of archetypal human forms.
Posted: 05/16/2012 by
Michael Schwab (Graphic Artist)
I worked in the rehearsal department for three seasons and after leaving that position, I was prepared to do just about anything. I could spit out any one of a hundred phone numbers faster than you could pull out your iPhone. People marvel at that, and I marvel that they marvel. It was just second nature to me and anyone else who worked here. You have to be ready to do anything at a moment’s notice. During the 1989 earthquake, one of my co-workers was at the ER with a singer who had injured her ankle during a performance while the rest of us phoned all remaining artists to be certain everyone was OK. Thankfully, all were fine, and one of our mezzos even invited all of the other artists to her apartment for a chicken dinner. The very next morning we had set up camp at the Masonic Auditorium where we proceeded to perform a week’s worth of opera there in concert version.
Posted: 05/04/2012 by
Valentina Simi (Artist Services Coordinator & Assistant to the Musical Director)
Most people don’t spend their lives at the opera, although depending on the composer and the evening in question, it might seem that way. But I can say that I have been at the opera, actually in this building, 45 of my 49 years. No, I am not a phantom living in some part of the sub-basement near the stream that runs under the theatre. (Yes, there’s a stream and no, there are no people down there floating around in small boats wearing opulent costumes--at least not that we know of.)
Posted: 04/30/2012 by
Valentina Simi (Artist Services Coordinator and Assistant to the Music Director)
Jun Kaneko, renowned Japanese-American visual artist, is the Production Designer for our new production of
The Magic Flute, opening June 13, 2012. His ceramic, bronze, and glass sculptural work and two-dimensional artwork appears in numerous international solo and group exhibitions annually and is included in approximately fifty museum collections. He has realized almost thirty public art commissions in the United States and Japan. His previous opera productions were
Madama Butterfly for Opera Omaha (2007) and
Fidelio for the Opera Company of Philadelphia (2008).
Posted: 03/06/2012 by
Jun Kaneko (Production Designer, The Magic Flute)