When I moved to San Francisco 21 years ago, I never would have guessed that in 2011 I would be working not one, but TWO dream jobs at the San Francisco Opera.

My first break came in 1996 when the Opera House was closed for seismic renovation and the company took over Bill Graham Civic Auditorium for a year.


 
Posted: 10/30/2011 by Jess Perry (Senior Budget Manager and Extra Chorus)


A giant passed away. A man that has served as a major inspiration for so many people, Steve Jobs, the former CEO and creator of Apple Inc. is now flying with the angels above. Mr. Jobs must be one of the most forward looking men of the 20th and 21st centuries; he was a man of huge ideas that reached the masses. He was also a man with a message: never look back, never think small. This message resonates loudly and clearly today for all of us committed to breathing life into a world of music and art that is suffering in a time of economic chaos.
Posted: 10/26/2011 by Michael Fabiano (Gennaro, Lucrezia Borgia)


Before he was an opera singer, Tongan-born tenor Ta’u Pupu’a (seen in the roles of Omaha and Robert in Heart of a Soldier) was an athlete. A linebacker in the NFL, to be exact. Pupu’a was drafted by the Cleveland Browns and then the Baltimore Ravens before a career-ending injury motivated him to go back to his first love: singing. How does a football player make this unconventional career transition? We had the same question. Read on to hear Ta'u's story in his own words. Check back again soon to read more about the connections between football and singing...there are more than you may think!
Posted: 10/24/2011 by Ta'u Pupu'a (Omaha and Robert, Heart of a Soldier)


One of the things I enjoy most about attending opera is that the music is often so timeless and wonderful that I can see the same show re-imagined hundreds of times and each time it will come to life and touch me in a new and meaningful way. The same thing is true for performing in opera.

Posted: 10/06/2011 by Elizabeth DeShong (Maffio Orsini, Lucrezia Borgia)


Returning to San Francisco Opera is especially poignant for me. Although I had already sung some roles professionally beginning in 1972, my big debut was here on the stage of the Memorial Opera House on Sept 13, 1974 as the Maestro di Ballo to Leontyne Price's first Manon Lescaut. Back then there were no apprentice programs, Adler Fellows, or Merola. I was fortunate in that I had worked with Otto Guth, Kurt Adler's right-hand man, at Curtis Institute in Philadelphia where I was completing a post graduate opera degree. Through his recommendation I was invited to sing in San Francisco, where Mr. Adler offered me a number of wonderful roles.

Posted: 09/13/2011 by Joseph Frank (Emperor Altoum, Turandot)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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