One of the things I enjoy most about attending opera is that the music is often so timeless and wonderful that I can see the same show re-imagined hundreds of times and each time it will come to life and touch me in a new and meaningful way. The same thing is true for performing in opera.
Posted: 10/06/2011 by
Elizabeth DeShong (Maffio Orsini, Lucrezia Borgia)
Are you getting anxious for this year’s Opera at the Ballpark? We presented our first free simulcast at AT&T Park in 2007, and in the years since it has easily become one of the most beloved Bay Area traditions. Last year’s simulcast of Aida attracted an unprecedented crowd of 32,000 people—and that doesn’t count the nearly 3,000 more who were watching back at the Opera House!
Posted: 09/20/2011 by
San Francisco Opera
Returning to San Francisco Opera is especially poignant for me. Although I had already sung some roles professionally beginning in 1972, my big debut was here on the stage of the Memorial Opera House on Sept 13, 1974 as the Maestro di Ballo to Leontyne Price's first Manon Lescaut. Back then there were no apprentice programs, Adler Fellows, or Merola. I was fortunate in that I had worked with Otto Guth, Kurt Adler's right-hand man, at Curtis Institute in Philadelphia where I was completing a post graduate opera degree. Through his recommendation I was invited to sing in San Francisco, where Mr. Adler offered me a number of wonderful roles.
Posted: 09/13/2011 by
Joseph Frank (Emperor Altoum, Turandot)
This morning, August 31st, I am looking over my music with twenty or so "notes" from Francesca, her assistant Matthew, David Hanlon (assistant conductor) and our librettist, Donna Di Novelli. These notes are, of course, little things that can be changed to make the show better and better. It just takes a little brain power and a good deal of strong coffee to assimilate the suggestions; especially precious hours before an orchestral run-thru. [Left: Melody Moore and Thomas Hampson as Susan and Rick Rescorla in a recent working rehearsal. Photo by Cory Weaver.]
Posted: 09/02/2011 by
Melody Moore (Susan Rescorla, Heart of a Soldier)
American Bass-Baritone Michael Sumuel has participated in our Merola Opera Program and even sang a Schwabacher Debut Recital last season, but Heart of a Soldier marks his official San Francisco Opera debut. In this opera, his primary role is Tom, an American soldier and medic who loses his life in the battle of X-Ray in Vietnam.
Opening night is drawing closer! I came into this process knowing that it would be just that-a process. It isn't often that you'll make an important debut with a company such as San Francisco Opera in a world premiere with the composer and librettist present and telling the true story of three remarkable human beings. It is an overwhelming task to concisely describe the process up to this point but I am incredibly grateful to be just one piece within a larger scope.
Posted: 09/01/2011 by
Michael Sumuel (Tom and Ted, Heart of a Soldier)