When people ask me what my job is at the opera, I typically tell them to think of my position as a project manager for the productions as a whole. It’s not my job to do the actual work of construction or to be inspired to create the design. My job is to make sure that the designs are done on time, on budget and as close to the designer’s intention as is conceivable. It has it moments of creativity and of rote mathematics. It has it moments of exciting involvement and concise detachment; but mostly it has its moments of managing large expectations.
Posted: 10/20/2011 by Andrew Farley (Assistant Technical Director)


It's hard to believe how much has been going on this fall. All within the first three weeks of the season we managed to get three operas up and running (Turandot, Heart of a Soldier and Lucrezia Borgia); put on two fabulous galas--Opera Ball 2011: A Night in the Forbidden City and Bravo! Club Opening Night Gala; present the world premiere of a brand new opera; hold the City of San Francisco's official observance of the tenth anniversary of the September 11 attacks through a moving concert in Golden Gate Park; host Opera at the Ballpark at AT&T Park for the first time in daylight; and meanwhile launch our second series of television screenings on KQED 9. We are proud to be such an integral part of San Francisco's community and look forward to the rest of the 2011 fall season!
Posted: 10/11/2011 by San Francisco Opera


One of the things I enjoy most about attending opera is that the music is often so timeless and wonderful that I can see the same show re-imagined hundreds of times and each time it will come to life and touch me in a new and meaningful way. The same thing is true for performing in opera.

Posted: 10/06/2011 by Elizabeth DeShong (Maffio Orsini, Lucrezia Borgia)


I am insufficiently blonde. Sigh. Yes, having blondish hair was one of the main reasons I was wrangled into playing the Super Bride in Heart of a Soldier in the first place. But after our first dress rehearsal, the artistic team realized that with my natural hair curled and coiffed into a style of the era, I looked more like a hippie Flower Child bride. Not, unfortunately, like a big-haired girl from the Lone Star state. Which is what I am supposed to be.
Posted: 10/04/2011 by Kristen Jones (Senior Leadership Gifts Officer & Super Bride, Heart of a Soldier)


It looks like I've been enlisted again. I play Dexter and Dex in Heart of a Soldier this season, an experience that has woven a lot of events and people together causing me to reflect on the nature of heroism and love. I served as a US Marine from 1991 to 1997, achieving the grand rank of Sergeant. During that time I was lucky enough to be employed with the air wing as an air traffic controller, and later as a computer programmer with Marine Corps Combat Development Command in Quantico.
Posted: 10/01/2011 by Daniel Snyder (Dexter & Dex, Heart of a Soldier)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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