I am just going to admit it: I am showmanced.

And this is no run of the mill, 8 week and then you are done, showmance. This one will go the distance. The difficulty of this showmance is that it involves more than one artist and I am afraid that when Nixon in China finishes its run here in San Francisco, I may be thrown into a fit of post-show depression that I can’t climb out of.

Posted: 06/08/2012 by Buffy Baggott (Secretary to Chairman Mao, Nixon in China)


When I accepted the role of Richard Nixon a few years ago, I knew it was going to be the most challenging assignment of my career. Taking on Nixon in China, the brilliant opera by John Adams, was a daunting task for so many reasons, but the obstacle that would challenge me most was that of becoming the iconic colossus, Richard Nixon.


Posted: 06/07/2012 by Brian Mulligan (Richard Nixon, Nixon in China)


When we found out that San Francico Opera Chorus Member Elisabeth Rom's brother is Set Designer Erhard Rom for Nixon in China, we immediately asked her to write a blog post. So glad we did! Elisabeth shares how she became a chorus member at SF Opera (with a little help from her brother) and how with their busy schedules they still make time for family.



Posted: 05/21/2012 by Elisabeth Rom


 We cannot wait to unveil our brand new production of The Magic Flute, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
 
Posted: 04/18/2012 by San Francisco Opera


As a native New Yorker, if someone had told me 3 years ago that I'd be working with the San Francisco Opera today, I'd have thought they were crazy. But, here I am, in California, having graduated from Merola and finished with my 2nd year as an Adler, and a lot has changed. One could say it has actually jump-started my career in singing because the past 2 years as an Adler were the first that I've sustained my income solely from singing. I've been coached into many roles, been given the time to learn a technique that works for me, and worked with a lot of the people we call stars in the opera business.
Posted: 02/01/2012 by Brian Jagde (Adler Fellow)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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