Those of you who have passed in front of the War Memorial Opera House in the past week have likely noticed a beautiful new addition to our Van Ness entrance. Richly colored in red, yellow, blue, black, and white, renowned artist/sculptor Jun Kaneko’s HEADS will be in place throughout the run of the summer opera season and will coincide with the premiere of Kaneko’s production of The Magic Flute.



Posted: 06/11/2012 by San Francisco Opera


I am just going to admit it: I am showmanced.

And this is no run of the mill, 8 week and then you are done, showmance. This one will go the distance. The difficulty of this showmance is that it involves more than one artist and I am afraid that when Nixon in China finishes its run here in San Francisco, I may be thrown into a fit of post-show depression that I can’t climb out of.

Posted: 06/08/2012 by Buffy Baggott (Secretary to Chairman Mao, Nixon in China)


When I accepted the role of Richard Nixon a few years ago, I knew it was going to be the most challenging assignment of my career. Taking on Nixon in China, the brilliant opera by John Adams, was a daunting task for so many reasons, but the obstacle that would challenge me most was that of becoming the iconic colossus, Richard Nixon.


Posted: 06/07/2012 by Brian Mulligan (Richard Nixon, Nixon in China)


It may only appear in one short scene at the beginning of the opera, but unquestionably one of the stars of every production of The Magic Flute is the serpent that pursues Prince Tamino and is ultimately killed by the Three Ladies. Because our new hi-tech Magic Flute production is so heavily based on projections and digital images (8 projectors!), you might assume that the serpent chasing poor Tamino would simply be an image projected on the wall--but designer Jun Kaneko had a different idea! [Left: Jun Kaneko's design drawing of Tamino facing the two-headed snake]
Posted: 05/22/2012 by San Francisco Opera


 We cannot wait to unveil our brand new production of The Magic Flute, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
 
Posted: 04/18/2012 by San Francisco Opera


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Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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