How have you prepared for your role as Hoffmann? Have you ever read the original stories that inspired the libretto by E.T.A. Hoffmann? Owing to the fact that this version of Hoffmann is very different from ones I've been involved with before, there was a lot of new music, and dialogue to learn. As always with languages you don't speak, figuring out the meaning behind the words takes up a lot of time. And that goes not just for what I'm saying, but also for the things that are being said to you by your colleagues. I have read the E.T.A. Hoffmann stories, though I didn't revisit them for this revival here in San Francisco.

Posted: 06/03/2013 by Matthew Polenzani (Hoffmann, Tales of Hoffmann)


The wise, knowing half smile on the enigmatic woman's face and the silvery sheen of her cloak have made many viewers assume that this is the work of a very modern painter. Surprise! This image of Mary Magdalene ̶ one which embodies such an air of mystery ̶ was painted in the year 1540 by Giovanni Solvoldo.




Posted: 05/01/2013 by Kayleen Asbo


On a research trip to Amsterdam, Mary Magdalene scholar Kayleen Asbo, visited the Rijksmuseum, a national museum dedicated to the arts and history of the Netherlands. While there she stopped for a look at Jan Van Scorel's 16th century depiction of Mary Magdalene and sent us this summary.




Posted: 04/23/2013 by Kayleen Asbo


We're counting down the days until we open our world-premiere production of Nolan Gasser's The Secret Garden and rehearsals here at San Francisco Opera are about to head over the Bay Bridge to Zellerbach Hall at UC Berkeley.  We're thrilled to be co-presenting this work with Cal Performances and we've lined up an exciting young cast who will be bringing this beloved childhood tale to life.  Find out a little bit more about the Secret Garden cast in today's blog post. 
Posted: 02/15/2013 by San Francisco Opera


Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene in June and Dolores Claiborne in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges. 
Posted: 01/22/2013 by Kip Cranna, Director of Music Administration


Displaying results 11-15 (of 43)
 |<  <  1 - 2 - 3 - 4 - 5 - 6 - 7 - 8 - 9  >  >| 

Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

Syndication

Blog postsRSS