Did you see Joyce DiDonato this past Saturday in the Met’s cinema presentation of The Enchanted Isla
nd? I have seldom seen such perfection as was evident in every aspect of her performance. Joyce has now arrived at the pinnacle of her profession.
Posted: 01/25/2012 by
David Gockley (General Director)
Lauré Campbell has served as San Francisco Opera’s orchestra librarian for an incredible 41 seasons. From just down the hall from the orchestra pit, Lauré’s job has been to acquire the sheet music for each production – whether from the Company’s own library or another source, mark it up to the necessary specifications, and have it ready for each member of the orchestra. Retiring this spring, we asked Lauré a few questions about what’s changed during her tenure, what hasn’t, and what she’ll miss most.
Posted: 01/24/2012 by
Lauré Campbell, Orchestra Librarian
Carmen and I have spent the last two months together. Interesting, since she never stays in one relationship that long… I started rehearsals as the cover in the French Carmen and continued with Carmen for Families. I am Israeli, playing a Spanish Gypsy, in a French opera, sung in English. Confused? Me too!
Posted: 12/01/2011 by
Maya Lahyani (Carmen, Carmen for Families)
I think I have something to the effect of 125 minutes between my last exit in Act 1 and my entrance in Act 3. If you haven’t done the math yet, that’s about 2 hours. Realistically, except for all the previews, I could probably catch a movie and be back in time for my Act 3 aria.
Waiting for Act 3, that’s the challenge of this role. I know, cue the violins. But let’s talk about this. Part of what has been so interesting about taking on this role is figuring out how to manage my time.
Posted: 11/22/2011 by
Sara Gartland (Micaela, Carmen)
Tenor Joseph Frank sings the role of Emperor Altoum in
Turandot. Emperor Altoum is one million years old...and Joe Frank is not. It is makeup artist Timothy Santry's job to transform Joe before each performance of
Turandot into a million-year-old Chinese emperor. But well before the first performance back in September, preparations were being made for this complicated transformation. Tim Santry started the look by creating a custom prosthetic face to be worn as a base for the look. We were there to capture photos of the process.
Posted: 11/16/2011 by
Timothy Santry (Makeup Artist)