Did you know we are presenting Nixon in China in the 40th anniversary year of the historic visit? In the Education Department we don't often find ourselves discussing an opera based on an actual event, especially a recent one! So I decided to do some studying...




Posted: 06/06/2012 by Dolores DeStefano (Education Program Associate)


Nixon in China is one of a handful of operas that mean the most to me. I first heard Nixon when I was at Dartmouth College in the spring of '94 during an opera survey class. The professor only played the "News" aria, but that was all I needed to hear, I was hooked. I instantly bought the recording and played it all day every day and when I finally got the score many years later, it revealed a whole new dimension to the music that I could finally play and sing to myself.
 
Posted: 05/30/2012 by Joseph Marcheso, (Rehearsal Conductor, Nixon in China)


 We cannot wait to unveil our brand new production of The Magic Flute, designed for us by visual artist and sculptor Jun Kaneko. His whimsical, colorful and creative production features unique and stunning costumes and a playful world that comes to life through complex projections. One of the (many) challenges that comes with presenting a brand new production is finding appropriate images to promote the opera months in advance, often times when the sets and costumes are yet to be built. This time we really lucked out and had the unique opportunity to have a photo shoot with one of the stars of the show a couple of months before he gets to town to begin rehearsals.
 
Posted: 04/18/2012 by San Francisco Opera


As we prepare for the opening of Nixon in China on June 8, we started thinking about the year the opera takes place: 1972. It was a year of many firsts for women, a lot of violence in Northern Ireland, the birth of the video game, the Watergate scandal and when President Nixon visited China. Read on for a timeline of fun facts to impress your friends with from that fateful year.




Posted: 04/09/2012 by Sheeda Jamsheed (Marketing Associate)


As a native New Yorker, if someone had told me 3 years ago that I'd be working with the San Francisco Opera today, I'd have thought they were crazy. But, here I am, in California, having graduated from Merola and finished with my 2nd year as an Adler, and a lot has changed. One could say it has actually jump-started my career in singing because the past 2 years as an Adler were the first that I've sustained my income solely from singing. I've been coached into many roles, been given the time to learn a technique that works for me, and worked with a lot of the people we call stars in the opera business.
Posted: 02/01/2012 by Brian Jagde (Adler Fellow)


Displaying results 21-25 (of 39)
 |<  <  1 - 2 - 3 - 4 - 5 - 6 - 7 - 8  >  >| 

Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

Syndication

Blog postsRSS