One of the hardest things to do in an opera is to be able to translate a basic question, or set of questions, into something visual which brings them to life in a dramatic context.
 
 “How do you remember the fallen?” was one of the important questions which Donna and I felt threaded the opera and this was answered in many through the main protagonist, Rick Rescorla. [Left: Thomas Hampson, who sings the role of Rick Rescorla in the opera, with Christopher Theofanidis.]
 
Posted: 09/16/2011 by Christopher Theofanidis (Composer, Heart of a Soldier)


Returning to San Francisco Opera is especially poignant for me. Although I had already sung some roles professionally beginning in 1972, my big debut was here on the stage of the Memorial Opera House on Sept 13, 1974 as the Maestro di Ballo to Leontyne Price's first Manon Lescaut. Back then there were no apprentice programs, Adler Fellows, or Merola. I was fortunate in that I had worked with Otto Guth, Kurt Adler's right-hand man, at Curtis Institute in Philadelphia where I was completing a post graduate opera degree. Through his recommendation I was invited to sing in San Francisco, where Mr. Adler offered me a number of wonderful roles.

Posted: 09/13/2011 by Joseph Frank (Emperor Altoum, Turandot)


Besides reading and re-reading the book Heart of a Soldier by James B. Stewart, I took inspiration from a variety of other sources. Here are just some of the additional works that lent their weight as I wrote the libretto.

 

 

 

Posted: 09/12/2011 by Donna Di Novelli (Librettist, Heart of a Soldier)


Today, we presented our annual Opera in the Park concert as a memorial to the victims of the 9/11 terrorist attacks. The San Francisco Opera Orchestra and Chorus, along with Music Director Nicola Luisotti and four Adler Fellow soloists performed Mozart's Requiem Mass, interspersed with meditational texts read by members of the San Francisco Interfaith Council. Included below are the various readings and prayers which were included in the event.

Posted: 09/11/2011 by San Francisco Interfaith Council


What a beautiful Labor Day weekend it was in Napa. Susan Rescorla landed and got settled into her hotel on Sept. 4th and we started bright and early on a whirlwind Napa adventure the morning of the 5th.
 
Somehow, over the months that have passed since I've seen Susan and despite the fact that she experienced major damage to her home from Hurricane Irene, she has become even more fresh faced and beautiful.
Posted: 09/10/2011 by Melody Moore (Susan Rescorla, Heart of a Soldier)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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