Tenor Brandon Jovanovich is no stranger to San Francsico Opera audiences. But in recent years, we have seen him transition from singing Puccini (Pinkerton in 2007's Madama Butterfly
and Luigi in 2009's Il Tabarro
) to Wagner (Siegmund and Froh in 2011's Ring
cycle). In his biggest assignment with the Company yet, Jovanovich is currently singing his role debut as the title role of Wagner's Lohengrin
. We asked Brandon a few questions about Lohengrin,
his fellow cast members and his favorite things to do in San Francisco.
Posted: 11/06/2012 by
Brandon Jovanovich (Lohengrin, Lohengrin)
For Los Altos-raised soprano Talise Trevigne, performing the role of Pip, the 14 year-old cabin boy, in Moby-Dick
is the ultimate homecoming. We asked Trevigne five questions about her unique experiences on the Pequod and about being back in the Bay Area for this landmark production.
Posted: 11/01/2012 by
Talise Trevigne (Pip, Moby-Dick)
When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.
Posted: 10/22/2012 by
Joseph Marcheso (Assistant Conductor, Moby-Dick)
On Thursday, September 27th, students from the School of Fashion at the Academy of Art University
in San Francisco had a unique and inspiring opportunity to go see the final dress rehearsal for The Capulets and the Montagues
at the War Memorial Opera House. The tragic Shakespeare play has such iconic characters but this production was something completely new and like nothing I had ever seen, including the stunning costumes by world-renowned fashion designer Christian Lacroix.
Posted: 10/12/2012 by
Lita Teplitz (AAU Fashion Design Student)
In 1997, we unveiled a brand new production of Verdi's Rigoletto,
designed by Michael Yeargan. Inspired by the surrealist paintings of Italian artist Giorgio de Chirico, the sets shine most because of their simplicity. The colors are bold, the lines are crisp and the lighting is daring. The costumes, designed by Constance Hoffman, are whimsical and classic, bringing these larger-than-life characters their own highly distinct personalities. While many of our 2012-13 Season productions feature brand new sets or bring a production to the Bay Area for the first time, Rigoletto
is a revival of this favorite production. These sets and costumes have been presented at the War Memorial Opera House in three previous seasons, and due to double casting, by no less than six distinct casts. Take a walk down memory lane with us as we remember some of our past Rigolettos, Dukes and Gildas.
Posted: 09/27/2012 by
San Francisco Opera