Opera is frequently called the most grand of the performing arts, and our production of Mephistopheles
is grand opera at its grandest! From the over 300 costumes, the thousands of jewels, and even the number of naked bodies you’ll see onstage, it is an amazing production that demonstrates just how big opera can be. And how many skilled craftsmen, artisans, employees, and artists it takes to make it this grand!
In today’s blog post we highlight just a small fraction of the numbers of interesting things you’ll see onstage when you see our dazzling production of Mephistopheles
. For example:
Posted: 09/09/2013 by
San Francisco Opera
Natalie Dessay last delighted San Francisco audiences in the title role of 2009's Lucia di Lammermoor and this summer she's back, but not in one of her signature roles. The soprano has appeared as Olympia is Offenbach's The Tales of Hoffmann
many times, but for this Laurent Pelly production, she decided to mix things up and sing a role she has always wanted to sing, the tragic role of Antonia. In today's blog post, Natalie Dessay answers our 5 questions.
Posted: 07/02/2013 by
Natalie Dessay (Antonia, The Tales of Hoffmann)
We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage.
This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.
Posted: 06/05/2013 by
San Francisco Opera
How have you prepared for your role as Hoffmann? Have you ever read the original stories that inspired the libretto by E.T.A. Hoffmann?
Owing to the fact that this version of Hoffmann is very different from ones I've been involved with before, there was a lot of new music, and dialogue to learn. As always with languages you don't speak, figuring out the meaning behind the words takes up a lot of time. And that goes not just for what I'm saying, but also for the things that are being said to you by your colleagues. I have read the E.T.A. Hoffmann stories, though I didn't revisit them for this revival here in San Francisco.
Posted: 06/03/2013 by
Matthew Polenzani (Hoffmann, Tales of Hoffmann)
Constance Hoffman is a Costume Designer who tells stories, “My medium just happens to be costume.”
Constance and I set out to source the Mary Magdalene
textiles, armed with a stack of research books: The Jewish Wardrobe
, published by The Israel Museum in Jerusalem, The History of Jewish Costume
by Alfred Rubens, Roman Clothing and Fashion
by Alexandra Croom; The World of Roman Costume
by Judith Lynn Sebesta and, my personal favorite, Facing West-Oriental Jews of Central Asia and the Caucasus
(a catalog from a joint exhibit of The Russian Museum of Ethnography in St. Petersburg and The Jewish Historical Museum in Amsterdam).
Posted: 05/29/2013 by