For Los Altos-raised soprano Talise Trevigne, performing the role of Pip, the 14 year-old cabin boy, in Moby-Dick
is the ultimate homecoming. We asked Trevigne five questions about her unique experiences on the Pequod and about being back in the Bay Area for this landmark production.
Posted: 11/01/2012 by
Talise Trevigne (Pip, Moby-Dick)
When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.
Posted: 10/22/2012 by
Joseph Marcheso (Assistant Conductor, Moby-Dick)
By now most of you realize that the Opera is celebrating its 90th season of producing opera in the Bay Area. Let’s use the occasion to take a brief backward look at the highlights of this extraordinary institution.
In June of 1922, Italian immigrant conductor Gaetano Merola held the first season of his new opera company at the Stanford football stadium in Palo Alto. This initial success led to the founding of the San Francisco Opera and the Company moved to downtown San Francisco, settling in what is now called the Bill Graham Civic Auditorium, and for two seasons at the Dreamland Auditorium.
Posted: 10/03/2012 by
David Gockley (General Director)
In 1997, we unveiled a brand new production of Verdi's Rigoletto,
designed by Michael Yeargan. Inspired by the surrealist paintings of Italian artist Giorgio de Chirico, the sets shine most because of their simplicity. The colors are bold, the lines are crisp and the lighting is daring. The costumes, designed by Constance Hoffman, are whimsical and classic, bringing these larger-than-life characters their own highly distinct personalities. While many of our 2012-13 Season productions feature brand new sets or bring a production to the Bay Area for the first time, Rigoletto
is a revival of this favorite production. These sets and costumes have been presented at the War Memorial Opera House in three previous seasons, and due to double casting, by no less than six distinct casts. Take a walk down memory lane with us as we remember some of our past Rigolettos, Dukes and Gildas.
Posted: 09/27/2012 by
San Francisco Opera
Arturo Chacón-Cruz is currently with us singing The Duke of Mantua in one of our two casts of Verdi's Rigoletto. While this is his mainstage debut at San Francisco Opera, the Mexican tenor is no stranger to our stage--he was a Merola Opera Program participant in 2002! Of his debut on September 8, the San Francisco Chronicle wrote: "[Chacón-Cruz] stepped into the role for a company debut of enormous grace, charisma and stamina. Here, clearly, is a singer of major promise." The young tenor sat down to answer our questions about singing the Duke, his love of San Francisco and making opera accessible to the public.
Posted: 09/14/2012 by