When I found out I was going to be the assistant conductor for Moby-Dick, I knew it meant that I was going to have to read the book. My attitude about that prospect was probably very much like yours. Sigh. But the choice was unflinching: Either I'm going to read Moby-Dick now, when I have every possible motivation and sufficient time, or I'm just never going to read it. Short of actually going on an extreme whaling vacation, I couldn't think of a more obvious circumstance to do something that I've long said I wanted to do. I'm happy I read it, and it made me feel more prepared, but it was unnecessary. Heggie's Moby-Dick does not need a primer to appreciate it, to explain it or even to fill in the blanks, it stands on its own as a thrilling and genuinely dramatic modern opera. But let's back up.
Posted: 10/22/2012 by
Joseph Marcheso (Assistant Conductor, Moby-Dick)
In 1997, we unveiled a brand new production of Verdi's Rigoletto,
designed by Michael Yeargan. Inspired by the surrealist paintings of Italian artist Giorgio de Chirico, the sets shine most because of their simplicity. The colors are bold, the lines are crisp and the lighting is daring. The costumes, designed by Constance Hoffman, are whimsical and classic, bringing these larger-than-life characters their own highly distinct personalities. While many of our 2012-13 Season productions feature brand new sets or bring a production to the Bay Area for the first time, Rigoletto
is a revival of this favorite production. These sets and costumes have been presented at the War Memorial Opera House in three previous seasons, and due to double casting, by no less than six distinct casts. Take a walk down memory lane with us as we remember some of our past Rigolettos, Dukes and Gildas.
Posted: 09/27/2012 by
San Francisco Opera
Arturo Chacón-Cruz is currently with us singing The Duke of Mantua in one of our two casts of Verdi's Rigoletto. While this is his mainstage debut at San Francisco Opera, the Mexican tenor is no stranger to our stage--he was a Merola Opera Program participant in 2002! Of his debut on September 8, the San Francisco Chronicle wrote: "[Chacón-Cruz] stepped into the role for a company debut of enormous grace, charisma and stamina. Here, clearly, is a singer of major promise." The young tenor sat down to answer our questions about singing the Duke, his love of San Francisco and making opera accessible to the public.
Posted: 09/14/2012 by
Sitting around a table enjoying happy hour with a couple of my brother’s friends, I casually mentioned that I had attended a performance of The Marriage of Figaro
and really enjoyed it. One friend, who I shall do the service of not naming, said “Anna, I didn’t realize you attended operas!” “Oh!,” I replied, “it’s one of the great perks of working at San Francisco Opera—I get to see every production we do!” “Wait,” he said, “you work
at the Opera?” He started laughing, and unfortunately continued: “I imagine you and seven other people crammed around a table sewing a bustier or something.”
Posted: 08/31/2012 by
Anna Sopko Wright (Sr. Marketing Manager, Subscriptions)
On Sunday, August 19, The San Francisco Opera Orchestra, along with a group of Adler Fellows, joined soprano Leah Crocetto and tenor Michael Fabiano to present a concert of arias and duets at the Stern Grove Festival. Our annual concert at Stern Grove is always a favorite of bay area crowds, but this one was even more special since Stern Grove is celebrating their 75th Anniversary. The concert was a great success and a fun afternoon for everyone involved. Take a look at a selection of photos from the event and you'll see what we mean. All photos by Scott Wall.
Posted: 08/22/2012 by
San Francisco Opera