While working on Bizet’s Carmen I found myself reflecting on the topic of “encounter with difference”—unlikely relationships that form between non-like-minded people—and pondering both the attraction and violence those experiences can generate. Both Carmen and Don José are members of marginalized minority populations in 19th-century Spain: she is a gypsy and he is a Basque.
Posted: 12/12/2011 by
Jose Maria Condemi (Director, Carmen)
Carmen and I have spent the last two months together. Interesting, since she never stays in one relationship that long… I started rehearsals as the cover in the French Carmen and continued with Carmen for Families. I am Israeli, playing a Spanish Gypsy, in a French opera, sung in English. Confused? Me too!
Posted: 12/01/2011 by
Maya Lahyani (Carmen, Carmen for Families)
When a colleague in production called to ask if I would be willing to be a supernumerary in Carmen
my first thought other than – why not!? – was “I have to call Bill.” Bill Klaproth and his wife Roberta are founding members of the Opera’s Medallion Society, longtime subscribers, and two of the most lovely people I have had the privilege of getting to know. When Bill retired in 1990, he decided it was the perfect time to become more involved with the Company, and he applied become a Supernumerary. He’s never looked back. Since 1990, he has appeared in dozens of operas, and is currently supering in his fourth Turandot
as one of the soldiers.
Posted: 11/28/2011 by
Bonita Hagbom (Individual Giving Officer) and Bill Klaproth (Supernumerary)
I think I have something to the effect of 125 minutes between my last exit in Act 1 and my entrance in Act 3. If you haven’t done the math yet, that’s about 2 hours. Realistically, except for all the previews, I could probably catch a movie and be back in time for my Act 3 aria.
Waiting for Act 3, that’s the challenge of this role. I know, cue the violins. But let’s talk about this. Part of what has been so interesting about taking on this role is figuring out how to manage my time.
Posted: 11/22/2011 by
Sara Gartland (Micaela, Carmen)
My job at San Francisco Opera as video director is to work with the production team, the artists and the media team to direct the capture of each opera for television and theatrical distribution. I have been directing at the opera for 5 years. Rigoletto
was my first plazacast to the civic center and it was very well received. David Gockley had the idea of building an HD suite on the 5th
floor of the opera house and I was fortunate to be hired as the resident video director. I have directed all of the AT&T Ballpark simulcasts and over 25 operas for OperaVision, television and theatrical distribution. Over the last five years, two other directors--Christine Strand and Bob Harnett—have also directed some of the operas.
Posted: 11/18/2011 by
Frank Zamacona (Video Director)