Through state-of-the-art technology, San Francisco Opera’s simulcast on September 25 will be transmitted in 1920x1080 high definition (HD) to AT&T Park's 103-feet wide Mitsubishi Electric Diamond Vision scoreboard—one of the highest quality outdoor scoreboards in the nation—live from the stage of the War Memorial Opera House. [Left: Members of our Media Team before a performance. Photo by Cory Weaver.]
Posted: 09/22/2011 by
Francis Crossman (Senior Video Editor)
Are you getting anxious for this year’s Opera at the Ballpark? We presented our first free simulcast at AT&T Park in 2007, and in the years since it has easily become one of the most beloved Bay Area traditions. Last year’s simulcast of Aida attracted an unprecedented crowd of 32,000 people—and that doesn’t count the nearly 3,000 more who were watching back at the Opera House!
Posted: 09/20/2011 by
San Francisco Opera
One of the hardest things to do in an opera is to be able to translate a basic question, or set of questions, into something visual which brings them to life in a dramatic context.
“How do you remember the fallen?” was one of the important questions which Donna and I felt threaded the opera and this was answered in many through the main protagonist, Rick Rescorla. [Left: Thomas Hampson, who sings the role of Rick Rescorla in the opera, with Christopher Theofanidis.]
Posted: 09/16/2011 by
Christopher Theofanidis (Composer, Heart of a Soldier)
Besides reading and re-reading the book Heart of a Soldier
by James B. Stewart, I took inspiration from a variety of other sources. Here are just some of the additional works that lent their weight as I wrote the libretto.
Posted: 09/12/2011 by
Donna Di Novelli (Librettist, Heart of a Soldier)
Why have there been so many new operas based on current events or contemporary characters? Hopefully, the answer is that these incidents and people inspire composers to write what turns out to be their best music. And calculating producers like me feel the familiar subject matter, elevated as it has been to a mythical level through the power of the media, will deliver the audience into the theater. Advance knowledge of a subject can make a new opera more “friendly,” in the way star performers can attract people to see a piece they don’t know. So getting Tom Hampson to perform the lead role in an opera about 9/11 premiering on the eve of the tenth anniversary of 9/11 should succeed in capturing attention and delivering an audience. Very few events in recent years have elicited such feelings of horror, grief and empathy.
Posted: 09/04/2011 by
David Gockley (General Director)