We here at San Francisco Opera are often asked, "Who was that great singer who played so-and-so in that one opera you did a few years ago? I feel like I have seen them here before." More often than not, the artist in question is one of the fabulous young artists we have had grace our stage. 

This summer's production of "Cosi fan tutte" features the San Francisco Opera debut of German mezzo-soprano Christel Lötzsch in the role of Dorabella, as well as the mainstage San Francisco Opera debut of bass-baritone Adler Fellow Philippe Sly as Guglielmo. In addition, the rest of the Cosi cast is comprised of incredibly talented young artists who have recently appeared on our stage. For today's photo blog, we highlight each principal Cosi artist who has had past roles at San Francisco Opera. This way, when you see the production and think to yourself, "I feel like I've seen them somewhere before...," you'll impress your seatmates by knowing where.

Posted: 06/05/2013 by San Francisco Opera


Last fall, we here at San Francisco Opera were struck by how many connections existed between sights in our beloved Bay Area and the operas presented in our fall season. This inspired us to think about where the characters in our three summer operas – The Tales of Hoffmann, Cosi fan Tutte, and The Gospel of Mary Magdalene – might sightsee while they spent their time in the Bay. Where would E.T.A. Hoffmann go to drink his troubles away? In what seaside community would Mary of Magdala (a fishing town on the Sea of Galilee) feel most at home? And where would Cosi’s Ferrando and Guglielmo get their infamous beard disguises groomed?
Posted: 05/18/2013 by San Francisco Opera


Last fall, we here at San Francisco Opera were struck by how many connections existed between sights in our beloved Bay Area and the operas presented in our fall season. This inspired us to think about where the characters in our three summer operas – The Tales of Hoffmann, Cosi fan Tutte, and The Gospel of Mary Magdalene – might sightsee while they spent their time in the Bay. Where would E.T.A. Hoffmann go to drink his troubles away? In what seaside community would Mary of Magdala (a fishing town on the Sea of Galilee) feel most at home? And where would Cosi's Ferrando and Guglielmo get their infamous beard disguises groomed?

Posted: 05/13/2013 by San Francisco Opera


Last Saturday, the audience for Verdi’s Rigoletto at the Opera House was joined by a few extra viewers, as some 27,000 fans packed AT&T Park for the annual Opera at the Ballpark simulcast. Despite the cold and some competing events (the Giants at Arizona, Stanford at USC) judging from the Twitter stream it looked like a lot of people enjoyed the opera, the ballpark, and a night out with friends.


Posted: 09/19/2012 by San Francisco Opera


My job at San Francisco Opera as video director is to work with the production team, the artists and the media team to direct the capture of each opera for television and theatrical distribution. I have been directing at the opera for 5 years. Rigoletto was my first plazacast to the civic center and it was very well received. David Gockley had the idea of building an HD suite on the 5th floor of the opera house and I was fortunate to be hired as the resident video director. I have directed all of the AT&T Ballpark simulcasts and over 25 operas for OperaVision, television and theatrical distribution. Over the last five years, two other directors--Christine Strand and Bob Harnett—have also directed some of the operas.
Posted: 11/18/2011 by Frank Zamacona (Video Director)


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Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

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