How have you prepared for your role as Hoffmann? Have you ever read the original stories that inspired the libretto by E.T.A. Hoffmann?
Owing to the fact that this version of Hoffmann is very different from ones I've been involved with before, there was a lot of new music, and dialogue to learn. As always with languages you don't speak, figuring out the meaning behind the words takes up a lot of time. And that goes not just for what I'm saying, but also for the things that are being said to you by your colleagues. I have read the E.T.A. Hoffmann stories, though I didn't revisit them for this revival here in San Francisco.
Posted: 06/03/2013 by
Matthew Polenzani (Hoffmann, Tales of Hoffmann)
Last fall, we here at San Francisco Opera were struck by how many connections existed between sights in our beloved Bay Area and the operas presented in our fall season. This inspired us to think about where the characters in our three summer operas – The Tales of Hoffmann, Cosi fan Tutte, and The Gospel of Mary Magdalene – might sightsee while they spent their time in the Bay. Where would E.T.A. Hoffmann go to drink his troubles away? In what seaside community would Mary of Magdala (a fishing town on the Sea of Galilee) feel most at home? And where would Cosi's Ferrando and Guglielmo get their infamous beard disguises groomed?
Posted: 05/13/2013 by
San Francisco Opera
Drew Farley, Assistant Technical Director for the SF Opera Production Department, had not seen The Tales of Hoffmann before he started to work on drawings and planning for the production, but after he researched the themes and the story, he understood and appreciated the inspiration for the production’s design coming from Belgian painter Leon Spilliaert.
Posted: 05/07/2013 by
Drew Farley (Assistant Technical Director)
Last Saturday, the audience for Verdi’s Rigoletto
at the Opera House was joined by a few extra viewers, as some 27,000 fans packed AT&T Park for the annual Opera at the Ballpark simulcast. Despite the cold and some competing events (the Giants at Arizona, Stanford at USC) judging from the Twitter stream
it looked like a lot of people enjoyed the opera, the ballpark, and a night out with friends.
Posted: 09/19/2012 by
San Francisco Opera
My job at San Francisco Opera as video director is to work with the production team, the artists and the media team to direct the capture of each opera for television and theatrical distribution. I have been directing at the opera for 5 years. Rigoletto
was my first plazacast to the civic center and it was very well received. David Gockley had the idea of building an HD suite on the 5th
floor of the opera house and I was fortunate to be hired as the resident video director. I have directed all of the AT&T Ballpark simulcasts and over 25 operas for OperaVision, television and theatrical distribution. Over the last five years, two other directors--Christine Strand and Bob Harnett—have also directed some of the operas.
Posted: 11/18/2011 by
Frank Zamacona (Video Director)