Calendar 2013 will be a record year in San Francisco Opera history, with three—count’em—THREE world premieres of brand new operas happening in a seven month period! Our new work for families, The Secret Garden, opens in March at Zellerbach Hall at UC Berkeley, followed smartly by our two new main-stage works, The Gospel of Mary Magdalene in June and Dolores Claiborne in September. My job as Director of Music Administration carries with it the privilege (and sometimes the headache) of nudging these commission projects along from initial conception to opening night. So far I’ve been involved with 14 new commissions (not counting the several that never quite made it all the way), and each project has had its unique challenges. 
Posted: 01/22/2013 by Kip Cranna, Director of Music Administration


When I started thinking about how to compose the Secret Garden stage, my reference points were three locations: India, Yorkshire, and childhood. I happen to have personal experience of all three, which helped me visualize how they might weave together in Mary's life: moments of petulance, real loss, sadness, curiosity, energy, and a powerful, ultimately healing relationship with the natural world.



Posted: 01/14/2013 by Naomie Kremer, Visual Designer


Last Saturday, the audience for Verdi’s Rigoletto at the Opera House was joined by a few extra viewers, as some 27,000 fans packed AT&T Park for the annual Opera at the Ballpark simulcast. Despite the cold and some competing events (the Giants at Arizona, Stanford at USC) judging from the Twitter stream it looked like a lot of people enjoyed the opera, the ballpark, and a night out with friends.


Posted: 09/19/2012 by San Francisco Opera


Stage moms and Glee teeny-boppers take note: we're on the lookout for young performers between the ages of 9-21 for our upcoming production of The Secret Garden.  No, not that Secret Garden but a NEW world-premiere operatic version with music by Bay-Area teamed composer (and architect of the Music Genome Project aka Pandora) Nolan Gasser and librettist Carey Harrison. 
Posted: 09/16/2012 by San Francisco Opera


My job at San Francisco Opera as video director is to work with the production team, the artists and the media team to direct the capture of each opera for television and theatrical distribution. I have been directing at the opera for 5 years. Rigoletto was my first plazacast to the civic center and it was very well received. David Gockley had the idea of building an HD suite on the 5th floor of the opera house and I was fortunate to be hired as the resident video director. I have directed all of the AT&T Ballpark simulcasts and over 25 operas for OperaVision, television and theatrical distribution. Over the last five years, two other directors--Christine Strand and Bob Harnett—have also directed some of the operas.
Posted: 11/18/2011 by Frank Zamacona (Video Director)


Displaying results 11-15 (of 21)
 |<  <  1 - 2 - 3 - 4 - 5  >  >| 

Introduction

Backstage at San Francisco Opera is a fascinating, fast-moving, mysterious and sacred space for the Company’s singers, musicians, dancers, technicians and production crews. Musical and staging rehearsals are on-going, scenery is loaded in and taken out, lighting cues are set, costumes and wigs are moved around and everything is made ready to receive the audience. From the principal singers, chorus and orchestra musicians to the creative teams for each opera, in addition to the many talented folks who don’t take a bow on stage, this blog offers unique insight, both thought-provoking and light-hearted, into the life backstage at San Francisco Opera.

Syndication

Blog postsRSS